We’re happy to premiere Lady in the Microfiche’s new self-titled EP, featuring gems like the track “My Eyes Were Closed.” Melodic, smooth vocals and laid-back percussion guide the quainter verses, with buzzing
New Tracks
Philly-based singer/songwriter Sara Seyed impresses on the track “Loopy,” showing a lush and entrancing vein of pop with nocturnal synths and plucked strings. I’m fondly reminded of Jessy Lanza’s aesthetic — showing
“Pockets” is a catchy, stylish synth-pop track from James Mantis. Aesthetically, the bursting synth-pop effervescence in the hook aligns with melodic vocals — touched with hint of falsetto — to remind of
“Expanding” shows an apt title, with its consuming song structure undergoing an enjoyable expansion process. Theatrical strings, swelling percussion, wordless vocal chants, and trickling acoustics kick this off, a striking track from
“Outlaster” showcases the suavely striking vocals of Natalie Bouloudis, set against a climactic guitar-based pull that intermingles with creeping strings. It’s a stellar track from the London-based artist. The “here comes disaster,”
Blending modern R&B with modern psych-leaning pop and rock sentiments, “Evergreen” is a consuming new track from F.N.. A backing organ complements twangy guitars to start, with the guitar soon fading in
“Don’t Believe Me” is a melodically melancholic success from Kid Nash, the project’s second single. Characterized as “a song of lament,” “Don’t Believe Me” sports glistening keys and hints of woodwinds in
Nobody by Somniac “Nobody” is a new track from Somniac, a project based out of Olympia, Washington. Described as “a song about loneliness in moving to the PNW,” “Nobody” showcases the project’s
New Albums
The riveting new album from Christian List, Beach shows the talented songwriter expanding his sound with a fuller, band-driven approach. The release
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Winnipeg-based quartet CAR287 thoroughly impress on their debut album, Looking Through The Lens — showcasing a sound that spans heartfelt folk-rock, blistering
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LAZY BURNING is the latest EP from Rayhan, whose memorable hip-hop sound consumes in its visceral, heartfelt lyricism and dynamic productions, here
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Eclectic Whiz introduces Screaming. Casting. Bleating. (S.C.B.), a Bandcamp-exclusive EP built from three inventive takes on the single “Enough, Saturn!” and its
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