New Tracks

Bathe – “The Silence”

The Silence by Bathe The impressive “The Silence” is the latest from Bathe, the dream-pop project of Bailey Crone. Based out of Atlanta, Crone performs everything on the song — drums, guitar,

Castilho – “Lucky Ones”

Lucky Ones by Castilho Pedro Castilho is a Portuguese songwriter based in Lisboa, whose stellar track “Lucky Ones” comes via his upcoming debut album. The artist first emerged in late 2017 with

Harley Small – “Apartments”

Apartments by Harley Small Following singles “Friends” and “Reality Therapy,” “Apartments” is the third entry from Harley Small in the band’s current album cycle. The project hails from Vancouver, British Columbia, honing

Split Screens – “Back Again”

“Back Again” is an impressive new track from Split Screens, the solo project of San Francisco-based Jesse Cafiero. I first heard the project back in 2013, with psych-pop gem “Born.” A forthcoming

Daren Sirbough – “Casualty”

Strongly reminiscent of James Blake, “Casualty” is the latest track from Daren Sirbough. Based in Sydney, Australia, Sirbough describes the track as being “about my first love and the eventual breakup.” Drip-drop

Tom Cridland – “Falling off the Rails”

The peppy “Falling off the Rails” is an energetic, catchy track with contagious brass flourishes and symphonic bursts. The latest from Tom Cridland, of previously featured act The Tomicks, “Falling off the

That Gum U Like – “Ballad Of A Boy”

Featured in the past with tracks like “Biography” and “Killer,” That Gum U Like return with another successful track in “Ballad Of A Boy.” The act’s trademarks — serene vocals, dreamy guitar

New Albums

Pegasuses – ‘Sea of Joy’

Alt-folk husband and wife duo Pegasuses consume on their new album Sea of Joy, showcasing the Southampton-based act as expanding their intimate,

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Annstiina – ‘field’ EP

field is a lushly inviting piano-led EP from Annstiina, an artist based in Järvenpää, Finland. Previously succeeding in the art pop realm,

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Daniel Rodak – ‘Daniel Rodak’

Detroit-based songwriter Daniel Rodak presents his self-titled album as a stripped-back, self-produced statement rooted in folk and folk-rock tradition, recorded just outside

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