The hypnotic, entrancing “Only to Find” is a stellar psych-rock cut from The Yorks, based in Los Angeles. The Yorks is presently the solo project of multi-instrumentalist Jorge Rodrigo Azanza, who was
New Tracks
The eerily consuming “Scarecrow” comes from David James Allen‘s upcoming album, Radiations, out on November 6th. Twangy guitars exude a lonesome, haunting feel. Organs prance on in with vigor thereafter. “Scarecrow” is
Stevie Zita‘s latest melodic single, “Neon Niko” is on the brisker side, compared to more contemplatively hooky gems like “Lost in Bruges” and “Indigo.” Here, the Toronto-based artist implements surf-friendly, fuzzy guitar
We’re happy to premiere “Goodbye,” a track from Attics, a Brooklyn-based act comprised of friends who have been creating music together for decades. The track’s beginning is fairly minimalist, growing steadily from
Out today from Sheila Eden, “Bring Me Home” is a lush electro-pop groover. Already off to a strong second half of the year with releases like “Uncertain Lovers” and the Memorry remix
Bluesy, soulful rocker “Are You Happy Now?” is nicely exemplary of The Cole Patenaude Band‘s talents. Specifically, their new full-length album of the same name shows a timeless sound throughout, touching on
New Jersey-based project Grapefruit Sound Lab meshes big, pulsing synths with ’80s-friendly guitar tones on catching new track “To Make You Mine.” Per the artist, the track is a song for “mourning
Sluka‘s latest track is a Bowie-esque romp, fit with Halloween vibes that quiver and chill. A dramatic, piano-forward composition sets “Vampire’s Ball” in motion over eloquent vocals. The second half briskly rises
New Albums
London-based artist HAAi mixes club-set energy and stylish pop ingenuity on DIGITiSE, a new album influenced by the physical energy of DJ
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Newly released EP Move The Mountains showcases Australian singer-songwriter Jack Biilmann’s lived-in blend of blues, rock, and country, showcasing the struggles, relationships,
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Nashville-based singer-songwriter Jay Putty explores the many forms of love on The People I Loved And Have Loved Me Back, a six-song
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Chicago-based singer-songwriter Sacha Mullin embraces a stylish pop-forward direction on Social Touch, his fourth album, balancing art-rock sophistication with sleek synth-pop hooks
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