From Australian act DOLLY ZOOM, “Rabbit Hole” is a dazzling electro-pop track with ample infectious qualities. Aesthetically reminiscent of MGMT, a spacey synth arpeggio complements soaring vocals to start. “Deep down the
New Tracks
Delightfully twangy rocker “Black Pine” is the latest from Forest Ray, the Seattle-based band who impressed with “Shadows” earlier this summer. Marking the third video single from Forest Ray’s upcoming album, “Black
“Don’t Thank me” is a new track from Washburn and the River, the project of singer/songwriter Jake Rosenberg, who first caught my ear in 2017 with the lovely folk single “Easy Part
Be Still by JON VON DOE A new track from Nashville-based artist Jon Von Doe, “All I Wanted” succeeds with an escalating psych-tinged rock sound that soars. Fluid guitars and concise vocal
The hypnotic, entrancing “Only to Find” is a stellar psych-rock cut from The Yorks, based in Los Angeles. The Yorks is presently the solo project of multi-instrumentalist Jorge Rodrigo Azanza, who was
The eerily consuming “Scarecrow” comes from David James Allen‘s upcoming album, Radiations, out on November 6th. Twangy guitars exude a lonesome, haunting feel. Organs prance on in with vigor thereafter. “Scarecrow” is
Stevie Zita‘s latest melodic single, “Neon Niko” is on the brisker side, compared to more contemplatively hooky gems like “Lost in Bruges” and “Indigo.” Here, the Toronto-based artist implements surf-friendly, fuzzy guitar
We’re happy to premiere “Goodbye,” a track from Attics, a Brooklyn-based act comprised of friends who have been creating music together for decades. The track’s beginning is fairly minimalist, growing steadily from
New Albums
matar la luz blends darkwave, post-punk, and dream-pop across Atlanta-based solo artist MatAre‘s latest full-length, balancing brooding guitar work and synth-driven atmosphere
MoreDelighting in its modular synth textures, escalating rhythms, and gradual shifts in intensity, Latticework is the debut album from Voix Nulle, the
MoreSpanish artist Santa Ana blends psychedelic guitar work, atmospheric synths, and expressive vocal arrangements across Vagío del 62, a debut album that
MoreThe Clean Crime Scene‘s debut album Raw Cuts moves between gritty guitar rock, swirling psychedelic passages, and layered vocals, showcasing the project’s
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