New Tracks

Ben Rice – “Autumn Days”

Fit for one of autumn’s first weekends, “Autumn Days” is a tender and moving new track from Brooklyn-based producer, engineer, and musician Ben Rice. His soothing vocals glide alongside mellow acoustics and

Joel Stanton – “Luck”

“Luck” is a hook-y new electronic-pop track from Joel Stanton, whose prior single “Rumble & Take” made a strong impression in April. His hook-friendly, electronic-forward sound reminded of both Future Islands and

Wesley Jensen – “Carpenter”

Inspired by ’60s pop, folk, and alternative – with an added affinity for modern production – Wesley Jensen is an emerging artist from Denton, TX. His track “Carpenter” was released today, showing

Helenor – “Bloodshot Eyes”

Fresh off the excellent “Ocean State” in July, Helenor released a new track today: “Bloodshot Eyes”. The project of Boston-based visual artist David DiAngelis, Helenor impresses again here with superb production and

Noah Chenfeld – “Lucy”

NYC singer/songwriter Noah Chenfeld impresses with today’s track release “Lucy”, a catchy pop track with an nostalgic ’80s feel that reminds of New Order’s hook-driven efforts. The “I’m not your friend /

Mirrored – “Dilaudid”

“Dilaudid” is a new track from Mirrored, an trio formed in southern California during the summer of 2018. They’re a new act, though showing aesthetic promise. The track’s rhythm leads with a

Highbeams – “Someday”

Showing a pleasant vein of folk-pop, Highbeams are an Atlanta-based trio that emphasize optimism and fluttering melodies on new track “Someday”, a highlight off their new album Keep Meaning It. The “someday

New Albums

Pegasuses – ‘Sea of Joy’

Alt-folk husband and wife duo Pegasuses consume on their new album Sea of Joy, showcasing the Southampton-based act as expanding their intimate,

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Annstiina – ‘field’ EP

field is a lushly inviting piano-led EP from Annstiina, an artist based in Järvenpää, Finland. Previously succeeding in the art pop realm,

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Daniel Rodak – ‘Daniel Rodak’

Detroit-based songwriter Daniel Rodak presents his self-titled album as a stripped-back, self-produced statement rooted in folk and folk-rock tradition, recorded just outside

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