Stirring in its use of Arabic instrumentation within memorable, poetic pop songwriting, Call of the Yoni is a compelling seven-track song cycle from Anglo–Arab singer-songwriter Layla Kaylif. Merging ancient Arabic instrumentation like the oud and ney with chamber strings, the work explores feminine power and erotic spirituality alongside cinematic, poetic productions.
The album’s title track opens with strong atmospheric mystique, traversing across initial solemn trickling and into a soulful vocal presence — bolstered by head-nodding bass and shimmering use of ney. “It’s the call of the yoni, see how it makes you rise,” the vocals then let out as playful guitar elements move in. The album consistently delights in its fusing of approachable rock and alt-pop familiarity with striking Arabic instrumentation, and “Call of the Yoni” kicks off the album as an excellent example of these stirring dynamics.
Ensuing track “My Lover Is a Saint” enthralls as well, its beginning spoken-word intensity declaring a drive to “follow the religion of love. Whatever way his camel takes, I follow.” Haunting, wordless backing vocal elements persist throughout. Glistening keys, warming bass, and shimmering strings complement a smitten vocal sense, the “my lover is the soul of souls” lyrical adorations delighting alongside the dreamy instrumentation.
Further narrative-laden tales of love are apparent on “The Bride is Beautiful (But She’s Married to Another Man),” where jangling guitars and “she wasn’t yours to hold” lyricism traverses to a vibrant, string-laden title-bearing somberness. Closing the album is a powerful cover of Leonard Cohen’s classic “Hallelujah,” continuing the release’s themes of unity, love, and appreciation for the moment; the production’s infusion of elegant piano and lush textures combine with a stunning vocal performance. Call of the Yoni is a striking success of an album from Layla Kaylif.
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