Jane Machine’s “I Hope We Win” is her introduction, the first release off her first LP. She describes the track as “sad danceable pop
The Caress are an act of three brothers – Tom, Ben, and Sam Easton – from New Cross, South East London. They formed the
Vancouver art-pop quintet Only A Visitor just released their new full-length, Lines, today. Fronted by composer/arranger Robyn Jacob, the act has performed at festivals
“OLYMPIA” is a bright piece of pop with a spacey allure, with a sound that resembles a hybrid of J-Pop sugar-sweetness with Muse’s spacey,
Emme is an act from Austin, Texas comprised of vocalist Sowmya Somanath and beatmaker Walter Nichols. Somanath’s vocals are entirely captivating, lush and caressing
Matteo Scher has been playing piano since the age of four, picking up violin and guitar as well shortly thereafter. Now, at 20 years
Under the name La Poré, Nick Samson crafts nocturnal, dance-friendly ’80s-inspired goodness with heaps of atmosphere. The project from Columbus, Ohio makes its debut
Griff Lynch delivers “No One Cares” is the third single from Griff Lynch this year, following the grim “Don’t Count on Me” and Welsh
With a sound steeped in dreamy harmonies reminiscent of The Beach Boys, Grizzly Bear, and Vampire Weekend, Danke Shane is the very impressive solo
Camp Candle caught my attention last year with the stunning track “Surface“, whose sample-forward, vintage orchestral allure with hip-hop rhythmic sophistication reminded of Avalanches.
