“Think About You All the Time” sounds like the work of veteran pop songwriters from the ’60s, not the debut from a Brooklyn four-piece in 2017 — as it is. Thoroughly captivating
New Tracks
Los Angeles-based act autoclub seems bound to blow up, if new single “Cat” is any indication. With a sound featuring “melodic psych-disco sounds, and catchy fresh dance pop grooves featuring trippy bass
John Moose is an act that trace their roots to “the deep wild woods of Värmland, Sweden.” The band’s name refers to their lyrics’ protagonist, within a tale of escapism, “where he
With a sound that reminds very fondly of The Church’s psych-friendly jangle-rock, Michael Cullen’s numerously featured tracks have drawn a positive response, with several of those posts noting his standout live persona.
d a number of Eric Frisch tracks in the past, the NYC-based singer/songwriter’s newest entry “As Long As I’m Alive” continues his familiar, piano-driven pop sensibilities. This particular effort reminds fondly of
Portland-based alternative act Freaks of the Sea show a smooth, gliding feel with a bit of warbled funk on new track “Hypocrite”, released on Friday. “Yeah, I’m a hypocrite,” the chorus goes,
Quiet The Pilot is Los Angeles-based Ryan Moore’s solo project. His new track “Give Me Time” is a quaintly infectious, slow-burning success with a rollicking chorus that touts a timeless power-pop feel.
Jane Machine’s “I Hope We Win” is her introduction, the first release off her first LP. She describes the track as “sad danceable pop … about how we dull ourselves down for
New Albums
On the ambitious Redux Trilogy, London-based project Coaxial delivers three distinct releases — Redux Media, Firemaniac, and Wittgenstein–Cronkite–Hellholes — designed for simultaneous
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Los Angeles-based band Sego unleash an eclectic, charismatic art-punk and rock appeal on their new album, Direct To DVD. Flipping a format
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Newly released album Muffled Ears, the World Sounds Bad Quality finds Reading, England-based artist Sightseeing Crew crafting a sophisticated collision of psychedelic
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Rina Kharrasova captivates with a sharply focused interpretation of Maurice Ravel’s Sonatine, M. 40. Moving beyond “impressionistic haze,” the Moscow Conservatory graduate
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