“Glow”, a new track from Vancouver-based alt-rockers Mellt, showcases the group’s strengths well — namely, reverb-laden atmospheric construction that emphasizes spaciousness and natural psych-friendly development. Their second EP, Visions, just dropped on
New Tracks
Inspired by ’80s ballads and roller disco, in addition to being fit for late-night drives and moody nostalgia, “Neon” is a fantastic new track from Magdalena Bay. This duo has it down
Released on New Years Day, IISKO’s “Up All Night” offers up a beautiful assortment of twangy guitars, ethereal vocals, and shuffling percussion — a hazy island setting accompaniment by a contemporary hook-laden
Justin Levinson crafts hooky ’60s-inspired pop that reminds of ’90s power-pop act Jellyfish. Based out of Burlington, Vermont and presently living in Los Angeles, Levinson has earned considerable praise since his 2005
Slowcoaching’s “Night Fiction” was one of my favorite tracks from 2016 (and will be one of many tracks appearing on our Spotify best-of playlist coming in a week or so); it reminded
Adorned with joyous brass and a faultless delivery, “Be Fine” is a stellar effort from Commonminds. It’s the 12th track from his 12-month project XVI.exe. The 17-year-old NY-based act has been honing
Based out of the New York/New Jersey area, 23-year-old hip-hop producer Killer Bee shows tribute to glistening old-school hip-hop on his new tape Otaku, “influenced by a variety of great hip hop
Obscure Sound presents the top ten albums of 2016.
New Albums
Tallahassee-based Ice Jackson immerses throughout the new full-length The Flu, a backronym for “Florida Life Understood” that paints a realistic portrait of
MoreLed by singer-songwriter Dave Macleod, London-based project trainboy succeeds with a heartfelt, jangly allure on new album I Am Not Myself. Following
MoreKansas City-based project Angie Fights Crime unveils a memorable rock sound across their new full-length album, To Be Beautiful. Written and recorded
MoreSinger-songwriter, poet, and filmmaker Greg Roensch melds narrative depth and a stylistically eclectic palate on his new full-length, Down at the Polystereophonic
More
