As the title may suggest, “1996” is a highly nostalgic ode of sorts — a melancholic “throwback to youth and growing up, accenting on the differences between the simplicity of another time.” The
New Tracks
LA-based electronic project Native Gold is comprised of longtime friends Lee Young and Michael Weeks, both originally from South Euclid, Ohio. They began sharing tidbits from their debut EP A Man We
Cole Randall’s “Our Golden Years” evolves from a barren acoustical stride and Randall’s airy vocals into a rousing development of evolving percussion, symphonic flourishes, and backing vocal expansion. Randall’s voice resembles Grizzly
Although Eagle I Stallian are generally more known in hard-rock circles and Quilla is an electronic producer/lyricist, both projects converged for a very beautiful result with the track “Get It Right”, “a
“Doors” is a delightfully haunting effort from Digit + Stas, the Brooklyn-based project who was previously featured with their track “Where“. The ghostly croon, warped bass, and string/synth interplay again reminds of
Jo Marches is led by Johanneke Kranendonk, a Netherlands-based songwriter who is inspired by a variety of decades and styles, ranging from the “experimental ’70s” to “pop and R&B of the ’90s
Night Drifting is the solo project of Amit Pandey, who pursues a mood-driven sound without any sort of stylistic barrier. The slow-crawling “Just Because” has an understated beauty, especially when the effervescent
“Glowing Eyes” is the first single and self-titled track off Tropic Harbour’s debut LP, so it’s essentially an introduction — and a memorable one at that. Atmosphere is apparent from the get-go, with
New Albums
III impresses as a dynamic, stylistic unveiling of works from Canadian producer Boni, a founding member of the experimental electronic group Fried
Morenumbness is exhausting marks the tenth studio album from Houston-based artist Joho, blending boom-bap hip-hop with futuristic R&B. Co-produced by 4d3n, these
MoreThe second full-length from NYC-based band Adios Ghost, Happy House consumes in its melding of electronica, funk, rock, and beyond, marking a
MoreRecently released album Blue Without You showcases twelve timeless folk tracks spanning Pete Scales‘ fifty-year songwriting journey. From “Nebraska-esque” demos to soulful
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