Fans of anthemic rock in the vein of Queens of the Stone Age will likely be smitten with FADES’ new track “Breaking Through the Walls”, which has most of the style’s trademarks
New Tracks
HWYL by Raindeer Colorfully playful synths and versatile vocals are staples of Raindeer a wonderful four-piece from Baltimore that makes some extremely spirited music. Their combustible creativity and ceaseless creative energy reminds
“Probably Good” is a smoothly nostalgic burst of suave infectiousness, its general direction reminiscent of The Style Council’s eclectic jazz/funk/soul stylings. The comparison makes sense from a stylistic and era-specific standpoint, as
“Roots” has a tinted, lackadaisical charm that’s propelled by calming vocals (somewhat reminiscent of Michael Stipe), gentle acoustics, straightforward percussion and a comfortingly faint backing synth pad. Lyrics like “everyday I see
Nic Nassuet puts out a rich and haunting sound on his track “She Rides Moonlight”, where acoustics, strings, and a stirring voice conjures an arsenal not too distant from the likes of
On the stunning “Sometimes I’m Wrong”, Icelandic producer/vocalist EinarIndra produces a chilling atmosphere that evolves engagingly with the aid of his spectre-like vocals, stark piano, bevvy of synths and diverse percussion. His
Memoryy transforms Blue Oyster Cult’s classic into a cowbell-less version full of dark electro-pop mystique, resulting in a very successful “Don’t Fear the Reaper” cover. Shaun Hettinger (Memoryy) re-discovered his own take on
Based out of Brantford, Ontario, Bad Reed is a vibrant-sounding quartet that shows enjoyable versatility throughout the three tracks on their new, eponymous EP. Starting with the opener “Slackjaw Romance”, the group shows
New Albums
Only a broken heart can hold the world marks the ambitious full-length debut of London-based, Taiwanese producer and singer-songwriter Susan Style, chronicling
MoreMulti-instrumentalist and producer Stephen Murray and his prog-rock moniker Sun Raven impress with a third full-length effort in Anam Cara. The Australian
MoreRecording from his bedroom studio in Crystal River, Florida, multi-instrumentalist Michael Thomas Brown explores existential questions within a dynamic rock sound on
MoreEnamoring with glistening guitars, emotive strings, and melodic vocals, an impactful array of songwriting shines on Everything’s Moving, Nothing’s Changing, the debut
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