“Someone Else” is a stylish synth-pop stirrer from Aspen Forest, melding a hooky vocal build-up with memorable synth work — strutting a bass-y pulse and steadily hypnotic charm with post-punk and italo-disco
New Tracks
Showcasing a dynamic art-pop and folk expanse, “Still Alive (Song for Grischa)” is a fantastic track from Vesna Kat, a Cologne-based singer, composer, and producer. Representing the second single from her upcoming
A lush, hypnotic blend of nudisco, jazz-tinged pop, and soulful sophistication drives “Follow Me,” the new single from Tacoma, WA-based duo Plaid Lion. SaraEllen’s inviting vocals and keys intertwine with Ian Franzel’s
Austin-based band Living Set unveil a ghostly, dreamy noise-pop appeal on new single “Last Wave” — maneuvering seamlessly from a lush array of synths and percussive pit-pattering into a textural, noisy invigoration.
Austin-based act Go-Machine emit a charismatic sound melding funk and prog-rock allure on new track “Black Sunday.” Breezy guitar tones quickly ascend into a rhythmically inclined passion, shifting seamlessly into a funky
Reckless love and the allure of escape stir on “Betty & Jesse,” a resonating new track from Nashville-based artist Rosemary Schultz. The track compels in its compelling character building, portraying the titular
Scotland-based collective Rootless brings together Romani and Indian musicians to honor a shared ancestry, weaving flamenco-inspired guitar and fervent saxophone with the rhythmic heartbeat of tabla and dhol. “This isn’t just fusion,
“Take A Chance” is a compelling new track from Ball in the House, a Boston-based a cappella group whose blend of soul, pop, and R&B makes for a standout sound. Their dynamic
New Albums
Bristol singer-songwriter Elly Hopkins makes a striking debut with Animal, a five-track EP that fuses rock charisma, Americana warmth, and soulful lyricism.
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Billy Peake‘s new album Manic Waves delivers a captivating mixture of hooky rock, nostalgic new wave, and sharp lyrical wit. Navigating personal
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Eric Angelo Bessel crafts an enveloping ambient sound across his second solo album, Mirror at Night. We have been anticipating the album
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Swedish band Killing Kind consume across their second album, Being Human — strutting a darkly impactful melding of post-punk and synth-driven entrancement.
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