“Why Did I Say Goodbye” was brought to my attention by the excellent Johan Agebjörn, producer of Sally Shapiro’s acclaimed Italo disco-inspired releases, which range from 2006’s classic Disco Romance to last year’s Somewhere Else. His

Most of the vocal additions on Latimer House’s debut single “Shake!” are mumbled or otherwise incoherent, apart from the steadfast exclamation of “shake!” acting as a rhythmic element of sorts. Much like

Even though The Knife seem to be the current face of oddball Swedish electronica, the scene is thriving with plenty of other talented groups like Det lilla extra. Based out of Umeå,

When you collide the jangly guitar-pop of The Housemartins with David Bowie’s spacey ambition and David Byrne’s idiosyncratically melodic vocals you get something along the lines of AstroMike Gordon, a delightful group

Very Americans are a group out of Harrisburg, PA capable of grandiose alt-rock efforts like “Without A Trace”, a track that shows their ability to concisely and excitedly deliver a hook-filled punch. Their

Australian producer Kosta Andreadis (Kbit) specializes in a highly atmospheric hybrid of downtempo and house electronica, exemplified well within the swelling beauty of standout track “Anytime But Then”, off his new album Un

“Junior Code Course” is an absolute blast of a track that reminds of power-pop’s great heyday. Y’know, back when groups like Teenage Fanclub, Big Star, and The Pastels used to churn out

Richard Tyler Epperson presents an eclectic alternative-pop sound that ranges from the acoustical flutters of a sentimental John Mayer track (“Hourglass”, “Rain“) to ambitious psych-folk efforts in the vein of Kurt Vile