The Parisian duo of Shawondasee flex an anthemic electro-pop sound on new track “Gems of Pure Light”, a newly released effort that recalls the exhilaration of stylistically comparable track “Midnight City” by M83. Whereas that
New Tracks
Beastie Boys fans may feel some comforting nostalgia after hearing “No God Flow”, the new track from NYC hip hop/pop artist Julian Rhine, who is rising in recognition after performing at SXSW and
Chimp Shed A.D. are a new duo out of the UK that blend Brit-pop aesthetics with various rock sub-genre touchstones. Their hypnotic track “Was I There” is on the more psychedelic spectrum,
Brain-Damaged Toon Underworld by Manuka Piglet Manuka Piglet deliver an infectious vein of indie-folk with touches of power-pop and psychedelia. Their fun approach recalls The New Pornographers’ fuzzier power-pop efforts, Beirut’s anthemic roar,
Lukasz Lach, the frontman of renowned Polish rock group L.Stadt, recently launched a solo project with very considerable promise. The project’s main concept is to cooperate with visual artists, who will work with
“Our Anthem (Illusions in Iramoo)” is an ode to a lost tribe. With that in mind, the tribal percussion, nature sounds, and pulsating bass throughout the track makes it sound like it
Raelism is the musical alias of Max Rael, known for his involvement with black metal group The Meads of Asphodel. Rael has touched on several electronic-leaning styles throughout various projects, as well, ranging from
Keath Mead is a singer/songwriter out of South Carolina who just finished a trip out to Berkeley, California, where he recorded and collaborated with Chaz Bundick (Toro y Moi) in his home studio. Bundick’s Anything In Return was my
New Albums
III impresses as a dynamic, stylistic unveiling of works from Canadian producer Boni, a founding member of the experimental electronic group Fried
Morenumbness is exhausting marks the tenth studio album from Houston-based artist Joho, blending boom-bap hip-hop with futuristic R&B. Co-produced by 4d3n, these
MoreThe second full-length from NYC-based band Adios Ghost, Happy House consumes in its melding of electronica, funk, rock, and beyond, marking a
MoreRecently released album Blue Without You showcases twelve timeless folk tracks spanning Pete Scales‘ fifty-year songwriting journey. From “Nebraska-esque” demos to soulful
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