Australian singer-songwriter Michael Cullen has been producing atmospheric rock tunes since the early ’90s, when he formed rock three-piece The Hardheads and released an acclaimed EP, The Long Goodbye, in 1993.  After The

Roladex’s label new album, Anthems for the Micro-Age, was described by their label (Medical Records) as sounding like Kraftwerk playing Magnetic Fields songs. That’s a slightly odd, yet overall effective comparison. After

Oakland dance-pop producer Brian Lee White goes under the alias Gasmilk, where he produces excitable pop music with a synth-heavy dance sound. White has spent his career in various musical professions –

It’s not easy to have a sound that’s legitimately comparable to the likes of Big Star, The Replacements, and The Byrds, all groups who seemed to effortlessly churn out hook-filled good vibes within

Four-piece electronic-rock band Illitry take a dark, downtempo approach to electronic music with recently released single “Follow Me. The seductive subtlety of “Follow Me” is magical and nocturnal in scope, serving as

Artists in the vein of Janelle Monae and Grimes have mastered the balance between experimentation and mainstream accessibility. Their songwriting and stylistic approaches are bold and original, and both very different. New

Synth-pop duo no:carrier are very aware that their sound cannot be classified concisely. “We have our very own sound that includes elements from several styles, from dark-wave to synth-pop, from acoustic to