Songwriter/rapper Mason and producer FortuneWest have teamed up again for the forthcoming EP Gods We Were, the second EP from the duo (after the release of Free Spirits a year ago). Their
New Tracks
“Nostalgia” is the first word spoken on “All Washed Up”, an apt choice considering Some Gifts’ penchant for quality nostalgic sounds cultivated from some older alt-rock inspirations, including Superchunk, Archers of Loaf,
We last heard from Chloe Baker – aka bitter’s kiss – about a year ago with “Love Won’t Make You Cry“, a bluesy rainy-day ballad that showed the young singer/songwriter’s vocal and melodic
Future Myth are a four-piece from San Jose who are releasing their debut EP, Flashbulb Memories, on January 29th. Their first two singles, “Little Voice” and “Cold Season”, show the group as
Swiss electronic artist Henri de Saussure performs under the name Lärmheim, producing a very impressive form of experimental electronica that conjures striking atmospheres and melodically stirring developments. Lärmheim’s past experience in a
SO (Standing Ovation) produce an oddly infectious form of organic hip-hop that reminds of both Andre 3000’s charisma and the spaced-out intensity of Odd Future’s beats. Consisting of Virginia-based producer Bronze Baby
Ironwoods by Ironwoods Ironwoods are a band from Hawaii who just put out a very impressive eponymous album. Their combination of dexterous math-rock and alt-rock remind of The Wrens and Modest Mouse, especially with the
Native Color are a new act from Denver with an energetic punk-laden art-rock sound that lends favorable comparisons to Arctic Monkeys and ¡Forward, Russia!. New single “American Wasteland” wastes no time, launching
New Albums
Led by New York-based composer Dash Lunde, VPC Ensemble presents Life Is a Strange Loop: Side A, a recursive meditation on consciousness.
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Budapest-based artist Bárdits Éva‘s solo debut, Inertia, delivers a striking fusion of avant-garde soundscapes and raw confessional songwriting. Recorded entirely at home,
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Victoria, Australia-based producer Cale Anderson‘s full-length Yemaya (We all Come from The Goddess) blends folktronica, art-pop, and dynamic percussion into a devotional
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Mode7, the debut conceptual album from French songwriter Julien Daval’s project FloreJack, charts a narrative arc through both intimate acoustic storytelling and
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