Does anyone else remember Jet Set Radio? It was that awesome Dreamcast game from 2000 that featured cel-shaded graffiti artists and a killer soundtrack with the likes of Guitar Vader, Jurassic 5, Hideki Naganuma, and
New Tracks
The hazy, sweeping beauty of Viscous Liquid’s shoegaze-inspired sound first caught my attention last year, when I heard the brilliant track “It’s Sort of Like Being a Long Way From Home, All
Like Matthew Herbert or Mirah before her, Koloto (Maria Sullivan) is capable of using natural sounds – like water droplets or the clinging of kitchen utensils – as leads in intelligently composed and
“Why Did I Say Goodbye” was brought to my attention by the excellent Johan Agebjörn, producer of Sally Shapiro’s acclaimed Italo disco-inspired releases, which range from 2006’s classic Disco Romance to last year’s Somewhere Else. His
Most of the vocal additions on Latimer House’s debut single “Shake!” are mumbled or otherwise incoherent, apart from the steadfast exclamation of “shake!” acting as a rhythmic element of sorts. Much like
Even though The Knife seem to be the current face of oddball Swedish electronica, the scene is thriving with plenty of other talented groups like Det lilla extra. Based out of Umeå,
When you collide the jangly guitar-pop of The Housemartins with David Bowie’s spacey ambition and David Byrne’s idiosyncratically melodic vocals you get something along the lines of AstroMike Gordon, a delightful group
Very Americans are a group out of Harrisburg, PA capable of grandiose alt-rock efforts like “Without A Trace”, a track that shows their ability to concisely and excitedly deliver a hook-filled punch. Their
New Albums
Achieving a gripping mixture of lushly absorbing charm and funky pop vibrancy, A Timeless Echo is the sophomore EP from Paris-based quartet
MoreA fantastic display in poignant, darkly atmospheric songcraft, Alone is the debut full-length album from Denver artist Neo Dimes, the moniker of
MoreHonky Tonk is a wholly engaging Americana album from Seattle-based veteran collective Marley’s Ghost. Guided by producer Larry Campbell, the record honors
MoreConjuring a sound reminiscent of Wild Beasts in its haunting mixture of lush vocal-led intrigue and rock-laden emotion, headprint is the debut
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