A dynamic rock enthrallment shows throughout “Lion In My Backyard,” which represents the debut single from The Blindfolded SeaMonkeys, the Ohio-based project of Dan Whammy. “There’s a lion in my backyard,” the
New Tracks
Los Angeles-based band The Toxhards ask “Should We Get A Dog?” with their latest single, meshing a charismatic rockabilly throwback with a raucous power-pop fervency. Written during the band’s 2023 fall tour,
Finding a compelling middle ground between lush dream-pop and glistening rock briskness, "Walked in the Garden" is an engaging new single from Absolutely Yours.
Emotional conveying of an unrequited love — and two souls “passing in the night,” like distant ships — sends chills throughout “SHIPS,” a new single from Los Angeles-based artist Joy Downer. The
Impressing already this year with singles “Losing Game” and “Surrender,” Austin-based singer/songwriter Devon Grace piques ears again with recent track “Bend To The Light.” Haunting guitar lines accompany ample vocal intrigue, whose
London-based artist Giack Bazz casts a theatrical rock allure on new single “The Moon Is Painted,” presenting a rousing sound with moments of murky alt-rock intrigue and soaring radiance alike. Bass-heavy verses
A hooky rock sound complements critiques on an image-obsessed culture on “FiENDS,” a compelling new single from Joseon. The Los Angeles-based quartet impress with a variety of gripping moments throughout, from the
The latest from The Derevolutions, “Best Day Ever” is a jubilant blast of psych-pop color that celebrates living for today, even in the midst of all of life’s ups and downs. The
New Albums
Los Angeles-based virtuoso Bei Bei and London-based producer Paul Elliott celebrate the Lunar New Year with the cinematic ambient-fusion album Two Moons.
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Joseph Schwartz showcases a unique versatility on the Superhuman EP by reimagining a single high-quality composition through multiple stylistic lenses. From the
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An excellent debut EP from Insignificant, Become struts a memorable folk sound across its seven tracks. From the ghostly acoustics of “Ourselves”
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