UK-based act Forgotten Garden unveil a ghostly sound on their new single “Francesca.” Pit-pattering drums and nocturnal guitar crawls complement lyrics evoking a “darkening sky,” and “crushed by the weight of change,”
New Tracks
Out today from Boston-based artist R.M. Hendrix, “Drugs” intertwines trip-hop rhythmic dexterity with grimily hypnotic instrumentation. Spacey synths and buzzing bass with a particular atmospheric power at the mid-point, following a steady
“Promised Land” is a debonair rock success from Nashville-based artist Marshall Fassino, representing the fourth single from his upcoming album, Ways I Used To Feel, out this fall. “People come, people go,
The third single from Dutch drummer and composer Ruud Voesten, “The Crypto Shuffle” presents an intoxicating jazz styling that swells from concise, brassy bursts into a soaring, swooning embrace in the second
Galaxy Shores’ newest single, “Melancholy Daydream,” takes the listener on a nouveau psychedelic rock journey. Sounds of rain and lonely guitar riffs open the sonically analogue song, cascading through beach-y crescendos, waxing
“ocean drive” is a melodic track released today from The 106. Colorful synths complement soaring vocals, remarking “driving down Ocean Drive is where I want to be.” The band describe the effort
It’s a difficult task to do the Grateful Dead justice with cover songs. After all, the legendary rockers have already put a variety of spins on their tracks via unforgettable live performances,
Released today, “We Can’t Keep Running Away” is the latest single from Nathaniel Paul, who is also a member of the band The Bergamot. The track comes via Nathaniel’s upcoming album, Turpentine.
New Albums
Led by New York-based composer Dash Lunde, VPC Ensemble presents Life Is a Strange Loop: Side A, a recursive meditation on consciousness.
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Budapest-based artist Bárdits Éva‘s solo debut, Inertia, delivers a striking fusion of avant-garde soundscapes and raw confessional songwriting. Recorded entirely at home,
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Victoria, Australia-based producer Cale Anderson‘s full-length Yemaya (We all Come from The Goddess) blends folktronica, art-pop, and dynamic percussion into a devotional
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Mode7, the debut conceptual album from French songwriter Julien Daval’s project FloreJack, charts a narrative arc through both intimate acoustic storytelling and
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