“David Stole My Ride” is a suave rocker from the new artist missilkid. Not much is known about the project beyond its Nashville origins and sturdy rock composure, easily immersing here with
New Tracks
Los Angeles-based band Vox Humana impresses with the expansive, dynamic “Stratosphere,” swelling from serene elegance into raucous beauty. Dreamy guitar pulses and submerged vocals cast an enigmatic allure to open, expanding into
Toronto-based act Amos Waits craft music they aptly describe as “dystopian lounge music,” which on their third song “Berlin Blue” enamors with a lushly meditative dream-pop engrossment. “Come over and I’ll make
A standout track from Miami-based artist Sebas De Varona, “Dark Adaptation” is a satiating psych-rocker that builds with tactful precision. Soaring organ-laden effervescence, twinkling piano, and steady percussive warmness drives to the
“Pretender” is a heartfelt new single from Nashville-based Aaron Friend & the Enemies. Jangly contemplation intrigues during the opening sequence. The “I don’t believe in a word you say,” vocal resonates with
Hooky vocal emotion and a moody post-punk underlying intertwine on “Inside Yr Mind,” the latest single from Canadian act Neurotypes. Bright guitar twangs accompany an initially suave vocal styling, showing a pulsing
"Nantucket Lullaby" is a serenely enchanting track from Jessie Allen Cooper. Gentle percussion and late-night saxophones exude a comforting soundscape, with mellow key-laden insertions glistening throughout. The track is a newly remastered
Irish trio Spearside conjure an anthemic rock pull on “Not Up to Much,” concluding a successful trilogy of singles that have earned airplay on BBC 6 Music and BBC Radio 1. Clearly
New Albums
Spanning bluesy indie folk warmth, rock charge, and intimate acoustic sincerity, Mike Stocksdale‘s Connectors is a seamless, story-driven journey threading societal anxiety,
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A lived-in and optimistic rock display, We Live In Hope is the self-produced fourth album from Bedford, UK-based artist Last Days of
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A blissfully layered darkgaze and shoegaze convergence appeals across Forever Could Never Be, a collaborative remix album from Portland, OR-based artist Kallai.
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Layering dreamy synths and captivating guitar work alongside themes of personal survival, historical memory, and defiance against adversity, Our Lady of the
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