Manchester-based quartet Church Party show stellar versatility on “Back In The Room,” a new single whose rock, post-punk, and funk convergence results in a hook-filled sound with attitude. With its verses described
New Tracks
Engaging with its breezy guitar affections and warming vocal reassurances, “List” is a new single from Max Bien Kahn. Kahn describes the effort as “about getting through your day one little task
Miami-based quartet FOXGLOVES show a menacing rock engrossment throughout “Descender,” a track whose brooding introspection immerses with both dreamily climactic intrigue and chaotic invigoration. A swampy blast of guitars sends chills from
Described as “a song born out of losing control,” “idk what idk” is a darkly captivating effort from Hoovy. With its initial guitar progression exuding an alt-rock nostalgia in its reminiscence to
Brooklyn-based band Tell impress with “Tea Leaf,” the third single via their forthcoming EP. An intriguing rock build envelops, as a garage-friendly spontaneity traverses into a satiating twist. “Steady as she goes,”
Salt Lake City-based new wave indie, grunge-esque band Pale Dream dropped their latest single “Something Tells Me.” Scattered with the art of nostalgia and archived footage that looks and sounds fresh out
Baltimore-based singer/songwriter Adam Randy struts a throwback appeal with “Don’t Play,” whose new-wave and pop/rock integrations remind fondly of Squeeze. A pulsing guitar presence and peppy synth adornments complement a steady vocal
A track from NYC band Strawberry Blonde, “Rearview” grips with an emotive rock sound that expands from lush yearning into a cathartic, brass-touched soaring. “Falling down, crashed landing,” the vocals let out
New Albums
Led by New York-based composer Dash Lunde, VPC Ensemble presents Life Is a Strange Loop: Side A, a recursive meditation on consciousness.
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Budapest-based artist Bárdits Éva‘s solo debut, Inertia, delivers a striking fusion of avant-garde soundscapes and raw confessional songwriting. Recorded entirely at home,
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Victoria, Australia-based producer Cale Anderson‘s full-length Yemaya (We all Come from The Goddess) blends folktronica, art-pop, and dynamic percussion into a devotional
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Mode7, the debut conceptual album from French songwriter Julien Daval’s project FloreJack, charts a narrative arc through both intimate acoustic storytelling and
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