New Tracks

Lane Lines – “Like to Look Sad”

A moving pop track led by playful synths and glistening guitar bursts, “Like to Look Sad” is the latest single from Lane Lines. The Seattle-based project was formed by Mandi L. Kimes,

Reginiano – “Time to Let Go”

Evoking a cinematic and forlorn mystique, “Time to Let Go” is a new single from Israeli musician Reginiano. Gentle guitar and chilling flute are the predominant forces throughout, crafting an atmospheric spell

Graham And The Band Upstairs – “Home To You”

“Home to You” is a memorable new single from Atlanta-based band Graham And The Band Upstairs, embracing juxtaposition and throwback charm in its warming folk songwriting. The track tells a “story about

Fake Dad – “New Machines”

Brooklyn-based duo Fake Dad dazzle with a hooky pop allure throughout “New Machines,” capturing “the experience of younger generations who have grown up in a world characterized by tragedy and fear.” A

Akosch Warga – “Integrity”

“Integrity” is an atmospheric treat from Berlin-based artist Akosch Warga, representing the final chapter in a recent trilogy of singles. Touting a dub-techno influence amidst its steadily evolving sound, “Integrity” proves riveting

Three Eyes – “A Fond Reclamation”

Showing a captivating instrumental sound with ample eclectic pull, “A Fond Reclamation” is the latest single from San Francisco-based artist Three Eyes. Enjoyably difficult to classify, “A Fond Reclamation” is a standout

Nicole Saphos Band – “Keepin’ Eyes”

“Keepin’ Eyes” is a dynamic and expressive single from Philadelphia-based Nicole Saphos Band, taking inspiration from “her thoughts surrounding patterns and compulsive behaviors.” The single impresses with its dynamic, quality songwriting —

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New Albums

Arpatle – ‘Stalacs’ EP

Stalacs is a dark ambient experimental EP from Utrecht-based composer Arpatle, the moniker of Patrick Bossink. Utilizing granular delays, 1024 sine tones,

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