WYMN‘s haunting track “I Can’t Fix It” consumes with its spacious concoction of pulsing guitars and jazzy rhythms, adorning Blaire Michael’s gorgeous production and meditative vocals. The musicians on the track enthrall
New Tracks
A steady electro-pop riser, “After Hours” is an infectious new track from STRVCK. The project’s first of several collaborations with producer/co-writer Max Frost, “After Hours” meshes a sleek modern pop feeling with
Strutting an infectious sound propelled by funk and disco, “All The Body Knows” is a new single from Sweetblood. Serene keys and suave guitars drive into the funky rhythm section, to start.
First catching our ears with “Track Shoes” a couple months ago, Leon in the Wild continues to show a brisk rock infectiousness on his new track “Powerlines.” The twinkling keys and acoustical
Playful synths and chirpy guitars lead an engaging sound throughout “False Alarm,” a track impressing with its hooky guitar lines and bustling rhythmic additions. The single comes from The Burgler, the project
Exuding an anthemic folk sound, “Light of Day” is a stirring track from Mount Saint Elias, a project fronted by singer/songwriter Joey Coe, and including collaborators Luna Fuentes, Josiah Johnson (The Head
A new track from Seasoning, the Brisbane-based project led by Lachlan Buckle, “Del Boca Vista” captivates with a serenely jangly charm. “I don’t wanna live that way,” the vocals let out, as
Slide into the weekend with a piece of smooth brassy entrancement; “Duende” is a chilled-out new track from Al Mur, a North Carolina-based electronic music composer and producer. “The song is about
New Albums
Alt-folk husband and wife duo Pegasuses consume on their new album Sea of Joy, showcasing the Southampton-based act as expanding their intimate,
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The new EP from singer-songwriter, producer, and multi-instrumentalist I Forget Myself, An Exception conveys a strong alternative rock identity with focus and
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field is a lushly inviting piano-led EP from Annstiina, an artist based in Järvenpää, Finland. Previously succeeding in the art pop realm,
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Detroit-based songwriter Daniel Rodak presents his self-titled album as a stripped-back, self-produced statement rooted in folk and folk-rock tradition, recorded just outside
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