New single “Diorama” presents a laid-back, melodic charm from Rasmus Nelausen, an artist based in Nyrup, Denmark. “Diorama” represents the title track off Nelausen’s forthcoming, second studio album. Per the artist, the
New Tracks
A stirring album spanning from intricate post-rock and passionate emo with orchestral additions, Mono No Aware represents the 16th conceptual release from Texas-based solo project Culak. A beautiful sense of unpredictability echoes
First catching our ears with “Pea Roll Along” last year, Winnipeg-based artist Tired Cossack further showcases their spirited rock sound with the riveting new single “Lilac Pain.” The expressive guitar tones grow
Another highlight from Pittsburgh-based singer/songwriter and multi-instrumentalist Ryan Hoffman‘s new album A Spark Blown in the Breeze, “Shapes” engrosses with its gentle guitar work and vocal harmonizing. Jangly guitar fragments and wordless
“Boston Story” is a new single from NYC artist Cole Blu, whose compelling sound melds art-pop, Kraut-rock, and experimental intuition. The dazed, eerie vocal presence plays cohesively amidst the bustle of guitars
A devastating late-night rocker exploring the fragility of relationships, “hello…!?” is a new track from Louisville-based artist BARCLAY’S. Creeping guitars and melancholic vocals tout a nocturnal, spacious production fondly reminiscent of King
“Home (Is It True?)” is a moody rock success from Toronto-based band Velvet Beach. Feelings of frustrations and time wasted are conveyed through haunting vocals and jangly guitar theatrics. Inspiration for the
“I Can’t Tell Your Voice from Mine” is a catchy fusing of power-pop and rock smarts from Pop Molecules, the Pasadena-based project of singer/songwriter Dan Komin. A playful synth lead, resembling a
New Albums
Mon Rayon’s lovely debut album Image Repertoire brings together an affection for classic pop songwriting and carefully arranged orchestration across the Swedish
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Wade Easy’s absorbing new album Honey Venom is a psych-rock success steeped in hypnotic guitars, meditative rhythms, and understated phrasing, drawing its
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Wichita, Kansas-based singer-songwriter and guitarist John Ross McEwen presents Late Bloomer as a deeply personal full-length shaped by intimate acoustic songwriting and
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Berlin-based WELTSCHMERZ pairs warm, melancholic hip-hop with organic instrumentation on Refugium, a four-track instrumental EP. The project’s reflective approach is informed by
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