A moving track from UK-based artist Matt Saxton, “Animal” rides on warming vocals, a pulsing piano backbone, and eventual dual-vocal effervescence. A wintry retrospection is achieved via lines that reference “the end
New Tracks
Dash Hammerstein‘s “Floating on a Strangelove Ocean” is further indication of the Brooklyn-based artist’s songwriting chops, impressing in past years with tracks like “I Should Know Better By Now” and “Ghost Dance.”
Chawa Lilith presents a meditative, atmospheric listening experience throughout her new album Euphonious. The Los Angeles-based artist developed her sound during lockdown, inspired by her own meditation practice. Drone and ambient-inspired textures
RAD I/O by Taipei Dazzling with a glistening and hypnotic dream-pop allure, “RAD I/O” is a memorable track from Taipei, the project of Finnish artist Henrik Sundström. Impressing prior with the releases
A new track from Windser, “Memory” soars with an especially memorable chorus, following breezy verses that charm easily. The solo moniker of California-based singer/songwriter Jordan Topf, Windser successfully unveils a more anthemic
Jacksonville-based solo artist Lost Club shows a captivating dream-pop sound on the track “Rubber,” from the newly released Saudade EP. “Rubber” develops initially from vocal yearning and glistening synths into twangy, expressive
A melodic rocker with playful guitars and laid-back guitars exuding ’90s nostalgia, “The Good Good” is a new single from German band Subterfuge, from their upcoming album Dots. “I wanted to be
“Creeping Shadows” is a moving, atmospheric rocker from Belgian band Easy Jane. The duo of Charles Debras and Yara Nammour derive their memorable sound from mostly post-punk inspiration, strutting a hauntingly dark
New Albums
Seattle-based musician Jesse Damm, known as It Sound, expands his visceral sonic world with It’s Called Blood, a new LP that embraces
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Ask Carol‘s AC II: Desert Sky captures the duo’s signature blend of dreamy folk-rock and atmospheric, cinematic twists/turns. Hailing from Norway’s remote
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The Dead Hearts charge into their new album Plight Goes On with a fierce, emotionally driven blend of alternative metal and post-grunge.
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Benjamin Dean Wilson infuses a gripping blend of witty humor, cinematic flair, and musical ingenuity to his latest release, Until the House
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