In My Own Time is a new album from California-based neo-classical composer Aleksandra Takala. Her incorporation of ambient, chamber-pop, New Age, and prog-rock genres results in a fulfilling, eclectic listening experience, highlighted
New Tracks
“Alaye” is a wholly unique track from Tibetan singer/songwriter and producer Ansa GaRangDengZhen (Zen), capturing the artist’s striking vocal work and dense production. The vocals throughout reach impressive tonal heights, at points
A nostalgic, synth-forward dream-pop delight, “Fun Now” is an alluring new track from SEE TAI, the Louisville-based project of songwriter, producer, and multi-instrumentalist Jamey See Tai. Prancing, sharp synths fade upon the
A yearning single that escalates from intimate vulnerability into a grunge-friendly fervency, “Versailles” is a new track from 19-year-old artist Bella Marcy. The understated vocals, with trickling guitars and synth-infused playfulness —
Heart Beats Quicker (single) by Little Wise Unveiling a sound that grows from chugging bass-fronted introspection into anthemic vibrancy, “Heart Beats Quicker” serves as an apt title, representative of the track’s steady
“Run Away” is an enthusiastic success from Little Sven, the project of Swedish artist Sven Johansson. Passionate vocals, riveting strings, and stirring horns waste no time in assembling a climactic fervency. “You
A Mannequin by Private Agenda “Irresistible” represents the opening track on A Mannequin, the standout second album from London-based duo Private Agenda. A spacey, hypnotic infusion of synths and guitars craft an
Soothing vocals and atmospheric saxophones lead the entrancing “Salmon Skin,” a recent track from Brooklyn-based artist Field Guides, fronted by Benedict Kupstas alongside a range of collaborators. “Salmon Skin” represents the first
New Albums
Spanning bluesy indie folk warmth, rock charge, and intimate acoustic sincerity, Mike Stocksdale‘s Connectors is a seamless, story-driven journey threading societal anxiety,
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A lived-in and optimistic rock display, We Live In Hope is the self-produced fourth album from Bedford, UK-based artist Last Days of
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A blissfully layered darkgaze and shoegaze convergence appeals across Forever Could Never Be, a collaborative remix album from Portland, OR-based artist Kallai.
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Layering dreamy synths and captivating guitar work alongside themes of personal survival, historical memory, and defiance against adversity, Our Lady of the
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