“Evening Sun” is a moody track from Swedish band And the Broken, the opener to their The Black and Blue EP. Chirpy guitar tones amidst the brooding post-punk bass line and vocals
New Tracks
The hypnotic “Highway One” is the debut single from Smoke Chaser, a band from Santa Cruz, California. Described as “a celebration of Henry Miller and sex,” the track’s smooth-cruising vibe is propelled
Other Girls Too is the debut EP from Minneapolis-based band Despondent, revealing a captivating vein of alt-rock that ranges from murky retrospection to raucously fun distortion. “Do You Like It?” is among
Los Angeles-based artist Max Havas grips with vocal passion and colorful synth-forward movements throughout his new track “Why am I so fucking tired?” The track’s steady structural build complements lyrics that depict
“The Years” is an escalating rocker from The Youth Play, a four-piece based in West London. Steady, jangly guitars and laid-back vocals engage amidst the expanded guitar layering approaching the one-minute mark,
Spanning from sweltering bluesy rock to piano-forward balladry and lush sophisti-pop, Searching For Flowers is a stimulating new EP from Vancouver-based artist D.G. Adams. Lyrically capturing the frenzied current state of the
“High of You” is a new single from Sussex-based singer/songwriter Hetty Clark, in collaboration with composer Guy Jackson. Clark embraces a spaciously atmospheric mode of songwriting amidst downtempo electronic production. Delicate piano
The newest collaborative album from Eric Anders and Mark O’Bitz, The Loss We’ve Won is a moving release that intermingles folk, Americana, and rock with Anders’ relatable lyrical content. Some tracks are
New Albums
Written on a cross-country road trip, Miami-based artist Theo Black impresses throughout his new EP, Turned Around — blending post-punk, power pop,
MoreLondon-based artist Sharon Katta crafts an emotively resonant, atmospherically captivating success with new EP Death said, Breathe. The production delivers an immersive
MoreLos Angeles-based Australian artist Jeffrey Chan immerses across Boys Like Us: The Afters, a club-driven full-length continuation of his breakout EP. Blending
MoreFavourite Armchair‘s self-titled album stirs as a creative showcase of art-folk and psychedelia. Featuring a multi-instrumental ensemble, the record explores life’s fragile,
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