New Tracks

Premiere: Modern Animal – “Part of This”

A hazy, jangly track with a warmly harmonious chorus, “Part of This” is out today via Los Angeles-band project Modern Animal. Lush guitars and subdued bass lead alongside vocals that stress a

Smotherly Love – “Two Flights Up”

Two Flights Up by Smotherly Love Exuding shimmering guitar twangs and bright synths, “Two Flights Up” is a hooky new track from Smotherly Love, the Essex (UK)-based artist featured last year with

Astro Villas – “Turning Into Gold”

An anthemic rocker with peppy effervescence, “Turning Into Gold” is the latest track from Astro Villas, the Baltimore-based project of Sean Pennington. Hazy, whirring synths glide into a series of perky guitars

IMBER – “Trance”

Aptly named considering its entrancing qualities, “Trance” is a new track from IMBER, the solo project of Bristol-based musician and producer Ben Imber. Woozy guitars and serene vocals drive to hints of

Zerrin – “Sleepless”

Released today from Australian artist Zerrin, “Sleepless” is a track with ample art-pop mystique. The “can I be you,” vocal expression with mingling keys, in particular, lends a fully haunting feel reminiscent

Lucha Like Libre – “Laced Up”

Lucha Like Libre‘s “Laced Up” begins with a driving rhythmic backbone that breaks open to raspy vocals, endearing with their lyrical sincerity. Alongside crunchy guitar jangles, lushly cinematic synths rush into the

Livingroom – “Keeping Time”

Don't Shoot the Messenger! by Livingroom “Keeping Time” is a melodic rocker with playful guitars and a power-pop vocal charm, courtesy of Chicago-based band Livingroom. The track comes via recent album Don’t

New Albums

Thomas O’Shea – ‘Generation Z’

Thomas O’Shea‘s new album Generation Z blends dynamic piano-pop atmospherics with candid lyricism, tackling artistic self-doubt, digital-age anxiety, and generational pressure. From

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Whiskey General – ‘Mooreish’

An invigorating rock sound impresses on Mooreish, the new album from London-based project Whiskey General. Written and produced by Jay Serrao, the

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