A stirring track out today from Ryan Manchester, “Closer” evolves from passionate folk into an aesthetically intriguing second half, adorned by atmospheric synths. The beginnings are quaint, with emotive vocals and trickling
New Tracks
“Low Cut” shows another consuming sound from Fried Dough, the Toronto-based project impressing previously with the tracks “Pushy” and “Bones.” The second single in Fried Dough’s latest series of releases, “Low Cut”
A single from I Am, the debut EP from Australian artist ElectroMagneticPulse (EMP), “I Wander” enamors with its moody blend of psychedelic electronic and rock. The release’s 13 tracks show fondness for
Unfolding from a yearning, mellow acoustical vibe into a shimmering, anthemic finale, “You’ll Be Something” is a memorable track released today from Tango Alpha Tango, a band from Portland, OR. The primary
Released today, the video for Said Sara‘s “Bleedways” captures the track’s captivating mood and brooding character. The black-and-white visuals convey several striking scenes, from nocturnal rainfalls and industrial cityscapes to slice-of-life photography.
“Did I Imagine Everything?” is a hypnotic pop gem from Half Speed, the project of Australian musician Ben Corbett. Hazy guitars and a pulsing bass line accompany gentle vocals, singing aptly of
The closing track on Lennin Ledesma and TJB‘s fantastic VIDA EP, “Living in the Past” soulfully embodies the collaborators’ bright talents. TJB’s instrumentation is hauntingly nostalgic; a ghostly backing organ glides alongside
The first single from Peacebone‘s upcoming album Métanoïa, “Arcane” envelops with an intriguing, swampy allure. The track’s “when will I see you again?” chorus enthralls with fuzzy psych-rock appeal. The ensuing verses
New Albums
German band Reptyle compel with a gothic-rock and post-punk vigor on their excellent new album Blazed Shades & Thorned Veils — enveloping
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Radiating a dynamic blend of raucous rock bursts and lush, introspective warmth, I love you, trackstar is a captivating full-length from Los
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New York-based Too Much Joy celebrate a defining chapter of their legacy with Son of Sam I Am (Tommy’s Version), a sprawling,
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A heartfelt and elegantly riveting classical sound shows on From the Heart, the sixth album from Sharon Ruchman — and her first
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