POSTCARDS TO AND FROM A DOOMED CIVILISATION (Bonus Edition) by The Happy Pill Academy “Violent Runtime” is a unique rocker from London-based project The Happy Pill Academy, via the new album Postcards
New Tracks
Vancouver-based artist TOIGO struts a meticulously produced alt-pop sound on new tracks “We’ve Got Tonight To Leave Me Broken” and “Another Shade Of Blue,” bundled together as a cinematic double video (above).
“18.” is a recent track from GELEXAIDA, the project of Chicago-based singer/songwriter, producer, and multi-instrumentalist Genevieve Skittone. Sleepy keys concoct an inviting introduction, with Skittone’s ensuing vocals emitting a mysteriously contemplative quality.
A dream-pop delight from Japanese band drown in lavender, “Stuck/Salome” traverses with late-night guitar tones, accompanying a lushly understated vocal lead to start. The steady build crafts a hypnotic spell. A slight
“Respite” is a magnetic new track from Billy Bobak, featuring Aya. Gorgeous, trickling guitars entrance past the one-minute mark, aesthetically fondly reminiscent of Aztec Camera. “What can you do now, as life
Stark by Stark The eponymous debut album from Illinois-based band Stark presents intrigue throughout, casting a spell with its touching of post-punk, shoegaze, and grunge — within a nostalgic New Romantic tint.
“Turtle Shell” is a new track from Supertentacles, the moniker of Milwaukee-based musician and producer Sean Anderson. A fat bass line emits a synth-tinged quality reminiscent of Flaming Lips, while the guitars
Showing a lovely sophisti-pop vein reminiscent of Prefab Sprout, “Changing Tides” is a recent track from En-Kay, the project of New York-based Nathanael Koenig. Bird-chirping and jazzy acoustics consume initially, as Koenig’s
New Albums
Only a broken heart can hold the world marks the ambitious full-length debut of London-based, Taiwanese producer and singer-songwriter Susan Style, chronicling
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Multi-instrumentalist and producer Stephen Murray and his prog-rock moniker Sun Raven impress with a third full-length effort in Anam Cara. The Australian
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Recording from his bedroom studio in Crystal River, Florida, multi-instrumentalist Michael Thomas Brown explores existential questions within a dynamic rock sound on
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Enamoring with glistening guitars, emotive strings, and melodic vocals, an impactful array of songwriting shines on Everything’s Moving, Nothing’s Changing, the debut
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