Other Girls Too is the debut EP from Minneapolis-based band Despondent, revealing a captivating vein of alt-rock that ranges from murky retrospection to raucously fun distortion. “Do You Like It?” is among
New Tracks
Los Angeles-based artist Max Havas grips with vocal passion and colorful synth-forward movements throughout his new track “Why am I so fucking tired?” The track’s steady structural build complements lyrics that depict
“The Years” is an escalating rocker from The Youth Play, a four-piece based in West London. Steady, jangly guitars and laid-back vocals engage amidst the expanded guitar layering approaching the one-minute mark,
Spanning from sweltering bluesy rock to piano-forward balladry and lush sophisti-pop, Searching For Flowers is a stimulating new EP from Vancouver-based artist D.G. Adams. Lyrically capturing the frenzied current state of the
“High of You” is a new single from Sussex-based singer/songwriter Hetty Clark, in collaboration with composer Guy Jackson. Clark embraces a spaciously atmospheric mode of songwriting amidst downtempo electronic production. Delicate piano
The newest collaborative album from Eric Anders and Mark O’Bitz, The Loss We’ve Won is a moving release that intermingles folk, Americana, and rock with Anders’ relatable lyrical content. Some tracks are
Dzasko struts a captivating sound immersed in psych-rock guitars and excitable synths throughout “Like This,” the first single from his upcoming EP, Auguries of Innocence. Peruvian-based producer and composer Diego Zevallos is
A yearning, hooky rocker from Brooklyn-based artist Ricky Fisher, “Caught In A Feeling” consumes with its melodic guitar/synth interplay and vocal work, reminiscent of Last Dinosaurs. “I’m still searching for the truth,”
New Albums
James Keith brings an upbeat country-rock spirit to I Call It Magic When I’m With You, a fourteen-track album celebrating the joys
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Dutch electronic duo Tangent return with Disclosure, their seventh album and first in three years, expanding their shadowy IDM sound through tactile
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London-based producer Ani On Keys showcases an intersection of Carnatic tradition and contemporary electronic music on Liminal Frequencies, a four-track EP blending
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Nathaniel Sutton’s excellent new album The Days weaves between dynamic full-band arrangements and more introspective acoustic moments. Across its reflections on growing
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