A spirited electro-pop single from Peruvian artist Caxiel, “Out Of Time” charms with its ’80s electro-pop inspiration — channeling an energy reminiscent of Michael Jackson in the charismatic vocal work, as well.
New Tracks
“Heaven Sent” is an eerily consuming hip-hop single from Tarli, the Saint Paul-based artist formally known as eL.i.Be. Produced by and featuring Wes., “Heaven Sent” rides on spacey synth glistening and bass-y
A serene dream-pop intoxicant featuring spacey keys, “Can’t Wake Up” is the latest single from The Looniest Toon, the Chicago-based project of Bex Gaspelin. Described as “a reflection on the state of
A compelling new track from Pink Films, “M.A.D. (Movie’s Almost Done)” embraces disco-friendly rhythms alongside dreamy guitar pulses. Pink Films, the project of producer and guitarist Adam Hailstone, reminds here of artists
Vancouver-based band Leisure Club impress with their new track “Melting in a Shallow Body of Water,” touting a riveting brand of psych-infused rock. Opening lyrics speak to digging introspectively into one’s mind,
Strutting a versatile meshing of pop, soul, hip-hop, and electronica, “Space+Space” is a dazzling success from Mexican artist Aroe Phoenix. Woozy guitars complement clever lyrics regarding who’s winning “the race” of life,
A new track from Philadelphia-based band Split Aura, “Limerence” incorporates surf-laden guitar dreaminess and post-punk rhythms alongside lyrics depicting an “unhealthy romantic obsession.” The ominous guitar tones and nonchalant vocal presence aptly
A new track from Finest Wine, the Chicago-based project of multi-instrumentalist Nick Andreoli, “Mr Flute Man” entrances from the get-go. Suave vocals and twinkling keys, adorned by acoustical strums, build within a
New Albums
Mon Rayon’s lovely debut album Image Repertoire brings together an affection for classic pop songwriting and carefully arranged orchestration across the Swedish
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Wade Easy’s absorbing new album Honey Venom is a psych-rock success steeped in hypnotic guitars, meditative rhythms, and understated phrasing, drawing its
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Wichita, Kansas-based singer-songwriter and guitarist John Ross McEwen presents Late Bloomer as a deeply personal full-length shaped by intimate acoustic songwriting and
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Berlin-based WELTSCHMERZ pairs warm, melancholic hip-hop with organic instrumentation on Refugium, a four-track instrumental EP. The project’s reflective approach is informed by
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