Peter Cat – “The Big House”

October 15, 2020

The opening track on Peter Cat‘s upcoming debut album The Saccharine Underground, “The Big House” delights with a hooky, rising sound. At points sporting aesthetic resemblances to acts like The Divine Comedy

Family Mart – “Starlite”

October 15, 2020

“Starlite” is the latest track from new act Family Mart, based in Austin, TX. A hazy soundscape, led by lush vocals and dreamy guitars, catches from the get-go. “How does it feel

Mimile – “Wouldn’t It Be Nice (To Meet Some People)”

October 15, 2020

“Wouldn’t It Be Nice (To Meet Some People)” is a new track from Mimile, the project of Emilie Blom. A suavely entrancing bass line and slight guitars accompany rising vocals to start,

bladebae – “Worst of Sins”

October 9, 2020

A gripping new track from bladebae, “Worst of Sins” evolves from haunting folk to a rousing rock spectrum. Aesthetically, Jeff Buckley is an enjoyable point of comparison. Per the artist, the track

Simen Mitlid – “Grateful Dead”

October 9, 2020

“Grateful Dead” is a lushly engrossing track from Simen Mitlid. The Oslo, Norway-based singer/songwriter first caught my ear in 2017, with the tracks “I Don’t Care” and “Vacation.” “Grateful Dead” features a

Bo and the Locomotive – ‘Everything Was Wild’ LP

October 9, 2020

As hinted by the fantastic, synth-tinged rocker “Heart” in August, Bo and the Locomotive‘s newly released album impresses with a range of wholly melodic tracks. The St. Louis-based artist shows well throughout

Butter Bath – “Back Home Old Buddy”

October 8, 2020

Showing a dreamy vein of synth-laden rock that builds into a blissful chorus, “Back Home Old Buddy” is a newly released track from Butter Bath, the Sydney-based project of Toby Anagnostis. Jangly

Jonathan Moonbear – “It’s Not Me”

October 8, 2020

Jonathan Moonbear‘s excellent “It’s Not Me” mesmerizes with a dreamy psych-rock aesthetic. The track comes via the new album Positive Time + Negative Time =Now. The first half shows a fairly quaint,