Continuity Errors by Herman Martinez A stirring track from Herman Martinez that evolves from atmospheric folk into an alt-rock fervency, “Days Without” comes from the recent album Continuity Errors. Acoustics and backing
New Tracks
“Quiet Girl” is a moving track from My Autumn Amor, the project of Los Angeles-based songwriter Thomas Monroe. The track expands gradually from heartfelt vocals alongside acoustics into an anthemic, yearning success.
Another passionate alt-rocker from Toronto-based artist Delyn Grey, “Set Me Free” is an ode to the feelings of “relief and empowerment.” Lush guitars and understated vocals lead to the sound of a
“Dr. Rhythm” is a track from Inside Story, the latest album from Nancy Wenstrom. Entrancing vocals speak to the music’s lovely role in escapism. “A little bit of rhythm is all I
“Parallel Worlds” is the title track from Mo Klé‘s new album. The project is fronted by Swiss songwriter René Grünenfelder, who plays a timeless blend of Americana, folk, and rock. Debonair vocals
From Norwegian bedroom artist/producer Evran, the haunting “Birds of Stone” makes for an ideal late-October listen. Trickling keys and chilling vocals combine with an acoustical backbone for an alluring aesthetic. Per Evran,
Touting a consuming blend of dreamy pop and hard rock, “the words they spoke and the hope they maimed” is a recent track from SESPOOL, the project of San Francisco-based singer, songwriter,
Released today, “Human Bond” is a stylishly understated electro-pop track from Jane Machine. Fronted by songwriter/producer Erica von Trapp, Jane Machine will be releasing an LP, shshshsh, from which “Human Bond” is
New Albums
Technicolour delights in a variety of heartfelt, hooky pop creations from Sydney-based singer-songwriter Holly Wild, embracing the full spectrum of love, vulnerability,
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Matty Frank stirs across Dooda: Bee Sides, a varied companion to his debut album that moves between folktronica, alternative rock, acoustic introspection,
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New album Ready 4 The World sees Chicago artist Freidrich$ refine his idiosyncratic blend of experimental folk, indie pop, hip-hop, and R&B
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James Keith brings an upbeat country-rock spirit to I Call It Magic When I’m With You, a fourteen-track album celebrating the joys
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