Inspired by “warm summer nights and chilling indie pop vibes,” Dimitri von Büren’s third single “Shining Bright is a delight. The Paris-based artist, who impressed earlier this year with the single “Days
New Tracks
Emitting a yearning, nostalgic ’80s synth-pop tone, “Runaway” is a pleasantly melodic track from Shyclops, their debut single. The Indonesian act craft a warming pop feel with a constant synth arp, fluttering
The delightful “Please Everyone” is the opening track on Life’s a Cigarette, the new full-length from Brazilian folk/indie rock solo artist Luiz e os Louises. Recalling the likes of Lou Reed and
Echo Of Sounds by Happy Freuds Hailing from Javea, Spain, four-piece Happy Freuds pursue a sound reminiscent of ’70s analog rock ‘n’ roll, while also touching on aspects of contemporary rock. They
Canberra native Kirrah Amosa shows a suave vein of R&B-tinged pop on the track “Undefeated.” Pulsing synths are gradually accompanied by snappy percussion, providing a nice accompaniment to the engaging vocal presence.
“Insecurity” is a consuming track released today from Color Card, a band that formed in Chicago by longtime friends Kyle Irwin (guitar, synth, vocals) and Eden Sierotnik (guitar, synth, vocals) in 2009.
bad blood by Brite “Bad Blood” is the debut single from Brite, a band hailing from Winnipeg. The one-minute mark — “to keep me to keep you,” — finds a more forcefully
Released today, “In That Place” is a vibrant, melodic success from Hanwho, the musical project of Hanno van den Berg. Originally from the Eastern shores of South Africa, the project touts a
New Albums
Los Angeles-based virtuoso Bei Bei and London-based producer Paul Elliott celebrate the Lunar New Year with the cinematic ambient-fusion album Two Moons.
MoreJoseph Schwartz showcases a unique versatility on the Superhuman EP by reimagining a single high-quality composition through multiple stylistic lenses. From the
MoreAn excellent debut EP from Insignificant, Become struts a memorable folk sound across its seven tracks. From the ghostly acoustics of “Ourselves”
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