Leave by Hannah Rose Dexter “Leave” is a consuming track out today from Hannah Rose Dexter. The artist touts a bass-heavy sound, with “Leave” guided by the pull of an electric bass
New Tracks
The fantastic “Interference From Hell” is a brilliant psych-pop track from Monkey Badooski, premiering today. Led by Jesse Viola out of Jefferston Township, PA, the act recalls The Kinks’ knack for quaint
A bevy of frantic percussion, twangy guitars, and melodic synths open “Onlysong” in enjoyably expansive form. The gripping new track from Chicago-based band Ex Okays, “Onlysong” is a fantastic start to 2020
Lovably reminiscent of XTC, “Panda Pub” is a delightful bouncy track from Morningless. The Swiss artist impress throughout his new album Sunrise on the Moon, with “Panda Pub” nicely indicative of his
Alfah Femmes are a six-piece from Gdansk, Poland. Their new track “Skunks” shows a convincing blend of synth-pop and post-punk, with a dreamy disposition guided by serene vocals. Past releases from the
Gliding synths and a more contemplative rhythmic backbone kick off “Train,” the latest track from Danish producer Tymoxx (formerly known by the project GingerAle feat. Karren). Kahiti adds to the track with
The final song in Good Days’ enjoyable ROYGBIV series, “Violet” is a romantic rocker that reflects the color’s association with compassion. The “send out your love,” vocal repetition aligns with swaying keys
Fractal (EP) by Aurehl Strongly reminiscent of Beach House, “Sakura Girl” is a gripping, hypnotic track from Barcelona-based act Aurehl. The track comes via the project’s second EP, Fractal. “Sakura Girl” is
New Albums
Self Help Manual, the captivating new album from AUTORHYTHM, traverses lush, scenic electronic terrains, often accompanied by infectious percussive pulses. The electronic
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Tsubasa Lucid‘s concept album Leave Her to Heaven, Leave Him to London chronicles his London years through a unique blend of country,
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An enamoring, hook-filled rock sound shines on White Magic, the debut album from Los Angeles-based act HOLLYWAND. Guitar-driven energy pairs with poetic
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Todd Adelman and the Woodsmen‘s self-titled album delivers an authentic, organic blend of country and rock and roll. Rooted in honest, working-class
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