“Pockets” is a catchy, stylish synth-pop track from James Mantis. Aesthetically, the bursting synth-pop effervescence in the hook aligns with melodic vocals — touched with hint of falsetto — to remind of
New Tracks
“Expanding” shows an apt title, with its consuming song structure undergoing an enjoyable expansion process. Theatrical strings, swelling percussion, wordless vocal chants, and trickling acoustics kick this off, a striking track from
“Outlaster” showcases the suavely striking vocals of Natalie Bouloudis, set against a climactic guitar-based pull that intermingles with creeping strings. It’s a stellar track from the London-based artist. The “here comes disaster,”
Blending modern R&B with modern psych-leaning pop and rock sentiments, “Evergreen” is a consuming new track from F.N.. A backing organ complements twangy guitars to start, with the guitar soon fading in
“Don’t Believe Me” is a melodically melancholic success from Kid Nash, the project’s second single. Characterized as “a song of lament,” “Don’t Believe Me” sports glistening keys and hints of woodwinds in
Nobody by Somniac “Nobody” is a new track from Somniac, a project based out of Olympia, Washington. Described as “a song about loneliness in moving to the PNW,” “Nobody” showcases the project’s
“Did I Mention” is a spacey, effervescent new track from Reine, a British-French artist currently residing in Montreal. This dreamy pop success is the first single from the artist’s debut public release
Releasing today, “I Don’t Mind” is a meditative folk-pop gem from Common Jack. Pursuing the theme of “letting go of living your life for external validation,” the track is immediately engaging. Ethereal
New Albums
matar la luz blends darkwave, post-punk, and dream-pop across Atlanta-based solo artist MatAre‘s latest full-length, balancing brooding guitar work and synth-driven atmosphere
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Delighting in its modular synth textures, escalating rhythms, and gradual shifts in intensity, Latticework is the debut album from Voix Nulle, the
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Spanish artist Santa Ana blends psychedelic guitar work, atmospheric synths, and expressive vocal arrangements across Vagío del 62, a debut album that
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The Clean Crime Scene‘s debut album Raw Cuts moves between gritty guitar rock, swirling psychedelic passages, and layered vocals, showcasing the project’s
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