In our first feature, we take a look and a listen at ten outstanding songs from Japan.

Music from many countries often combine their own individual elements with many Western influences. Japanese music is renowned for this. While most Japanese music is either regarded as classical kimono ballads or sappy anime songs, several outstanding genres are hidden to the naked Western eye. Modern Japanese indie, pop, and rock artists are extremely fond of music outside of their country, while still showing a respectability and admiration for their own personal roots. Modern music took great storm in Japan a few decades after the big movement in the United States and Europe, first appearing as a large standpoint in the 1960s with psychedelic rock bands and folk-rock.

As of now, Japan remains on a similar page musically as the rest of the world. With several created genres – ranging from Shibuya-kei to Enka – have made their impact on world music. Despite Japanese-originated genres, most modern Japanese indie music sounds very similar to Western music… well, if you don’t count the language, of course. I chose ten songs that made an impact on me and my view on Japanese music.


The B’z – Motel


I’ll naturally start off with one of my favorite Japanese bands. The B’z consist of the duo Tak Matsumoto (guitar) and Koshi Inaba (vocals, keyboards). Making their debut in 1988, The B’z may be the most successful Japanese rock bands of all time, selling over 50 million records. Matsumoto and Inaba are truly the Marr-Morrissey duo of Japan, with Matsumoto writing the music and Inaba writing the lyrics and doing the vocals. Matsumoto is a sensational guitarist and his musical songwriting is outstanding. His arrangements are as catchy as they come and they can stand up to any band in the world as far as this goes. If you’re looking for an introduction to Japanese music, The B’z are the way to go.


Kagerou – Kakokei Shinjitsu


Kagerou was the first Japanese band I truly fell for. Despite their overdrawn and ghoulish appearance (yes, they are all guys), their music can be elegant, emotional, and powerful. They really don’t sound as gothic as they look, and the gothic band look in Japan is called ‘Visual-Kei’. They are known for crossdressing, wearing makeup, and odd outfits but are actually rarely homosexual or bisexual. It’s just a unique style in Japan, taking roots from such Western artists as Bauhaus, David Bowie, and T-Rex.. Frontman Daisuke has some of the most unique vocals I have ever heard, and it’s certainly a compliment. An outstanding band with an outstanding catalog of albums and mini-albums (EP’s in Japan).


Pizzicato Five – Let’s Spend The Night Together


I’d like to introduce all of those who don’t know about it, to the wonderful genre of Shibuya-Kei. Shibuya-Kei is a genre of music that originated in Japan that combines several styles, including blues, fusion, traditional music, folk, and rock. It is said to be Japan’s most popular original genre, with several modern Western (particulary French) artists heavily influenced by it as well. Pizzicato Five is one of the most famous Japanese bands to Westerners because of their very nice flow and accessible jazzy sound. Their signing to Matador certainly didn’t hurt their Western status either. Their music has even had small cameos in several Western entertainment such as in Goldmember (Austin Powers), Charlie’s Angels, and Futurama. They are considered one of the most successful Shibuya-Kei artists of all time.


The Pillows – Our Love And Peace


The Pillows are one of the Japanese bands who gained popularity because of the anime popularity in Japan. A regular in the series FLCL, they are one of Japan’s more popular rock bands. Their popularity in the United States is starting to increase as well, as they kicked off a tour in the United States in March 2005. The three core members of Sawao Yamanaka (vocals), Yoshiaki Manabe (guitar), and Shinichiro Sato (drums) have been together with 1989 making a great amount of catchy songs. I chose ‘Our Love And Peace’ because it is highly enjoyable, not too fast or loud, and just generally fun.


Dir En Grey – Yurameki


Though they apparently consider themselves no longer visual-kei, Dir En Grey is one of the most successful Visual-Kei artists ever. As displayed because of hundred of fan sites and fan cults, they are one of the most popular. Their frantic style of play and consistent albums have made them a trademark in Japanese music. They are younger than most Japanese bands of their stature, having been around for less than ten years. They are exceptionally popular in Germany. They have been a band known to embrace English roots, as each of their albums is often seen going in a different music direction, sometimes approaching full English. Their album, Withering To Death, (released in 2005 in Japan) will see a United States release on March 21, 2006.



Inugami Circus-dan – Kagerou


It’s just a coincidence that their song name is the same as one of the band names above, it’s no relation. ‘Kagerou’ would mean ‘dragonfly’ in English, just in case you’re interested. Originating in 1994, they are actually a Visual-Kei band with a real girl! Her name is Kyouko and she is the vocalist too, and she adds a nice flavor to the Blues-influenced rock. Their lyrics tend to be associated with ghostly and violent things, so they are one of the bands that actually reflect their attire. Nonetheless, the music is quite good.



MUCC – Dilemma


MUCC got their name from the number ’69’. In Japanese, ’69’ can be pronounced “mukku”. With that interesting bit said, they are one of the louder bands in the Japanese genre. Like Dir En Grey, their frantic play style can be found, but it is often more consistent. The song ‘Dilemma’ is very entertaining. They are currently a hot selling band, since forming in 1997.



Cibo Matto – Birthday Cake


Yeah, it’s that song from Jet Set Radio! Cibo Matto was actually formed in New York, but the founding members are Japanese (Miho Hatori and Yuka Honda) and combine many Japanese elements so I fit them in here regardless. They’re basically in a genre of their own, combining general shibuya-kei, Latin music, and even rap to create a very interesting sound. They are really only for a specific group of people, but all music fans should respect and admire their sound. They broke up in 2001 but their two albums (Viva! La Woman and Stereo Type A) are both very fun stuff.



Tokyo Jihen – Blackout


I already raved about Tokyo Jihen in another post on this blog, but their new album Adult is just so damn good that here is another track. ‘Blackout’ is the track that grew on me the most. I’m really digging the keys, claps, and Shiina Ringo’s usual great vocal style. Here is what I wrote about Tokyo Jihen in a previous post: Tokyo Jihen is the brainchild of popular Japanese singer/songwriter Yumiko Shiina, better known as Shiina Ringo. She chose the nickname of ‘Ringo’ because of her admiration of Ringo Starr and Fiona Apple (’ringo’ means ‘apple’ in Japanese). In my opinion, Shiina Ringo is probably one of the most rawly talented songwriters in the world. I know that may seem like a high honor, but she has displayed signs of outstanding song and structure writing since her debut album, Muzai Moratorium, in 1999. After a successful solo career for seven years, she fulfilled her desires to create a full band by forming Tokyo Jihen in 2004. Translated to The Tokyo Incidents, Tokyo Jihen combines several music styles, mostly blues, to make a great sound.



Chara – Atashi Ha Kokoyo


Chara creates quite lovable music. Chara is Miwa Sato, who has been making quality J-Pop since the early 90s. With vocals that could pass for a middle school girl, it fits in right in with the twinkling keyboards and catchy beats in ‘Atashi Ha Koyoko’. I strongly recommend her greatest hits compilation, Caramel Milk.. Child-like qualities in vocals are often considered a plus in Japanese pop music, and Chara comes with no exception. She released an album with imminent English in Montage with Yen Town Band in 1996. It is my favorite album from her, though her greatest albums should be a great introduction.


Mike Mineo

I'm the founder/editor of Obscure Sound, which was formed in 2006. Previously, I wrote for PopMatters and Stylus Magazine.

Send your music to [email protected].


  1. Try:
    The Boredoms
    King Brrothers
    The Odds

    Tip of the iceberg of GOOD music being made by Japanese bands.

  2. this is a wonderful post! love the pillows, dir en grey and cibo matter as well. so great.

    hopefully you can make another post on this. japanese music is awesome (also check out the 5,6,7,8’s as well. good stuff.)

  3. yeah, I know there are a bunch others. most of the ones you guys mentioned are great as well. I’ll make another feature like this eventually since it’s really a very big genre. 🙂

  4. What a great post. Especially for me because im starting to learn more about Japanese Music. I knew some of these songs already, but thanks a lot for pearls like the B´z. Check out my recent blog http://soundslikejapan.blogs.sapo.pt i created to express my admiration for this genre. Sorry for my poor English, im from Portugal. Keep up the excelent work.

  5. I’m a huge huge fan of MUCC and Chara… I’m a European girl. My problem is I found lyrics for Mucc, but not for Chara and this song. Does anyone have romanised lyrics for Atashi Ha Kokoyo please?
    Take care 🙂

  6. I’ve just got into some Japanese music, does anyone know the best bands? I’m very much into pop-punk, emo and alternative music. Thanx

  7. I am trying to find the words to the song Sola (Sky) or So Long (Ithink they are the same song) by Mayumi Itsuwa. I would also like to get a MIDI for it as well.


  8. like omg i am a huge fan of der en grey!!!!!!! i love there music!!!!! ahhhhhhhhhh!!!!!!!

  9. que onda raza, pues aqui pasando a rayar, chido carnalillos, esta chida la musica, see u later. and take care m

  10. You should try the truly underground psychedelic/noise stuff on PSF and Alchemy Records, not for the faint-hearted ones:
    1. Keiji Haino/Fushitsusha/Aihiyo/Vajra
    2. Merzbow/Masami Akita
    3. Hijokaidan
    4. High Rise/Musica Transonic/Mainliner
    5. C.C.C.C.
    6. Incapacitants
    7. LSD March
    8. Ground Zero/Otomo Yoshihide
    9. Boredoms/Hanatarash
    10. Oshiri Penpenz
    11. Iro
    12. Shizuka
    13. Ghost
    14. Mahal Shalal Hash Baz
    15. Magical Power Mako
    16. Kan Mikami
    17. Kaoru Abe
    18. Masayuki Takanayagi
    19. White Heaven
    20. many more on these 2 labels!

  11. I’m a fan of Orange Range, L’arc~en~Ceil and Asian Kungfu Generation.l. I check out these artist out. Thanks for the post.

  12. boredoms are great, i just picked up their last recordings eye yamasuka did with missing foundation on ‘just another hit” album back in 1993. its part of new Peter Missing “electronic Collection 1993-2010”
    well worth checking out now out on humanity records. i am lost for words how good eye yamasuka sounds with missing foundation. legendary bands to say the least. and pete misisng form missing foundation just keep on making great music, experimental and all. highly recommend to you check out http://www.humanityrecords.de

  13. “- flumpool (ok, they’re a little too mainstream, but they’re not too bad to listen to) ” : what I meant is that their sound is a little watered down and radio friendly to my ears,compared to most other bands I posted.
    I posted some artists like Mr.Children and Utada who are even more mainstream than flumpool too, lol… But I meant that in comparison to the younger artists i posted, which are mostly more indie or alternative rock.

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