“Cold Car” is a twinkling new effort from The Edward Furlongs, who impressed previously with “Nagasaki“, a faster-moving piece with Beirut-like brass flourishes. “Cold
Mark Bacino produces an immediately likable vein of power-pop, which on “Not That Guy” reminds me lovingly of the bouncy keyboard/guitar-led sounds of Jellyfish,
Bartholin is the duo of Drew Danburry and Cat Leavy, with a seemingly lofty aim of exploring “the Freudian subconscious.” Their self-titled EP, out
Los Angeles-based folk/dream-pop act Hannah Telle produces an elegantly hypnotic sound on new track “Hollow Glow”, which is also the title of her first
“Brother Jonathan” is a great piece of songwriting from Glenn Meling, an independent artist, songwriter, and producer from Oslo. With an anthemic and professional
We were introduced to the darkly consuming sounds of He Is Me a month ago with “Let It Drip“, which showed a distortion-friendly and
Australian pop singer/songwriter Dino Jag shows a soaring sound on new track “Two Young Hearts,” off the South Australian veteran’s new EP, scheduled to
Incorporating both confident swagger and a futuristic assortment of industrial synths, “Hump Day” is an infectiously confident effort from Miss Eaves, aka Brooklyn-based Shanthony Exum. The
Stoop Kids’ “Good Enough” was one of the catchiest tracks I’ve heard all year, a timeless-sounding pop tune featuring vintage surf-pop harmonies and lovable
Laxy Dazy is a highly promising brother-sister duo from Sydney, continuously perfecting their cosmic sound. A folky sparseness exists in their arsenal, but more