“Earthquake” is a suave new single from The Will McBride Group, an act who has opened for ZZ Top, Styx, Eddie Money, and more. It marks the band’s first release since their
New Tracks
We’re happy to premiere “Serena”, the latest track from Mike Green. Atmospheric and hook-y, as has been the case for his recent releases (“Honey” and “Addictive“), the track touts a serene feel
An excellent tracks that merges sleek electronic-forward pop reminiscent of Cut Copy with melodic whimsy similar to Prefab Sprout’s take on sophisti-pop, “Shine On” is a new track from Toronto-based duo The
“Gosh You Can Talk” is a new track and video from British singer/songwriter Jaz Mattu. “This song has lots of themes, but a key one is about being obsessed over someone and
“Daydreaming Pilot” is another success from Alex Siegel, who has impressed with tracks like “Headspin” (one of this year’s best) and “Easy” in the past year. The California-based singer/songwriter continues expert utilization of
Bearing a strong likeness to the charismatic synth-pop of Little Dragon, Druma’s new track “Mirror Monologue” is a captivating showing. Trish’s suave vocals work with moody precision, as an assortment of synths
Van Common is the project of songwriter and multi-instrumentalist Sebastiaan van Ravenhors, who follows up last year’s single “The Afternoon” with the serene jangle-pop of “Moonlight Blue”, released on June 8th. Ravenhorst
Danish duo Hellas craft an intriguing, magical-like soundscape on new single “Dances”, showing a new side of the band — one moving away from an acoustic sound and into a mold that
New Albums
Showcasing a punchy rock spirit with compelling coming-of-age narration, Pupal Phase is the four-song debut EP from Lost Grrrl Found, a New
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Experimental electronic textures, industrial dissonance, and hazy pop sensibilities converge on Was It Real or Was It Just Me?, the debut album
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Berlin-based composer, violist, and songwriter r Dina Maccabee steps into the foreground on LMNO, an eight-song album following years of collaboration with
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Augsburg, Germany-based experimental composer Markus Mehr’s WATERSHED EP transforms recordings from the opening days of Russia’s invasion of Ukraine into a stark
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