Indie-pop singer/producer Rhett Rowan knows how to paint a vivid picture, even if it isn’t always the prettiest one. Her lyrics and delivery are reminiscent of Lana Del Rey’s swooning portraits of
New Tracks
Starar impressed a year ago with the gauzy shoegaze beauty “Talisman“, and the duo is back at it with the wonderfully mellow “Ride”, which evokes imagery of cruising through a desert just
Ronjo V is the Austin-based duo of Ryan Joseph and Keith Morgan, tactful surveyors of contemporary psych-rock – the sort that’s persistently melodic and colorful, without getting swept in the over-indulgent tendencies
If their half-parenthetical band name didn’t give it away, Weird Pennies (Of Raleigh) are slightly off-kilter. The synth lines that kick off “Permanently Brand New” add a quirky juxtaposition to the booming
With “Kill Me”, Fred Colombo conjures up a nocturnal and emotional synth-pop sound, with a stirring build-up and spoken-word verse/melodic chorus structure reminiscent of Pet Shop Boys. The vocal approach reminds of
Alexandra is an alt-rock artist from Australia who infuses both pop immediacy and full-throttle intensity in her sound, which is shown well on “Criminal” – where her furious, fast-paced delivery is nicely
Hazy psych-addled layers of guitar combine with a lush swelling rhythmic backing to craft a very enticing intro for Ian Aware’s “Window”, a fun track propelled even further by the fun and
“The End of the World With You” begins spaciously — with a stirring orchestra of sorts, and a swelling series of horns that reflect a rising sun (at least in my mind).
New Albums
On the ambitious Redux Trilogy, London-based project Coaxial delivers three distinct releases — Redux Media, Firemaniac, and Wittgenstein–Cronkite–Hellholes — designed for simultaneous
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Los Angeles-based band Sego unleash an eclectic, charismatic art-punk and rock appeal on their new album, Direct To DVD. Flipping a format
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Newly released album Muffled Ears, the World Sounds Bad Quality finds Reading, England-based artist Sightseeing Crew crafting a sophisticated collision of psychedelic
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Rina Kharrasova captivates with a sharply focused interpretation of Maurice Ravel’s Sonatine, M. 40. Moving beyond “impressionistic haze,” the Moscow Conservatory graduate
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