False Colors’ ability to create stunning atmospheres reminiscent of outer space, and the contrasting combination of serenity and anxiety it provokes, reminds me of Fennesz’ work (see: “Pallas Athene“). For any artist dabbling
New Tracks
Portland-based group Souvenir Driver label their sound as “bliss-pop”, a self-professed hybrid of shoegaze, post-punk, new wave, psych, and pretty much whatever else they’re digging at the moment. That philosophy results in a
Chains of Logic is the project of Houston-based producer JSteev, who crafts a darkly intoxicating hybrid of swelling electronica and dubstep with a futuristic edge. Bleak vocal samples emit a futuristic optimism
The Chicago-based duo of Joe Cristo and Rob Volpendesta comprise The Coquettes, a jangly pop group whose hooks and delivery are polished enough to make the self-recorded title irrelevant. On excellent track
Isaac is a rising synth-pop artist with a crisp-clean sound. His new single, “The Unknowns Blues”, appears to be his first major release. Already receiving positive feedback on SoundCloud, “The Unknowns Blues”
16 Knapper’s track “Zero Gravity” is nicely exemplary of the skills presented by the Norwegian instrumental hip-hop/electronic artist and producer, who has dug into music after several years living “the graffiti and
I consider this to be one of the highest-quality compilations released on OS, despite it being less stylistically eclectic than usual. For whatever reason this month, rock dominated. The first eight tracks here
Aubergine MACHINE impressed earlier this month with “Hostage“, an infectious track that found the electro duo paying homage to their ’90s trip-hop/neo-soul influences. Now the duo of Ian Carey and Shanti Ellis
New Albums
III impresses as a dynamic, stylistic unveiling of works from Canadian producer Boni, a founding member of the experimental electronic group Fried
Morenumbness is exhausting marks the tenth studio album from Houston-based artist Joho, blending boom-bap hip-hop with futuristic R&B. Co-produced by 4d3n, these
MoreThe second full-length from NYC-based band Adios Ghost, Happy House consumes in its melding of electronica, funk, rock, and beyond, marking a
MoreRecently released album Blue Without You showcases twelve timeless folk tracks spanning Pete Scales‘ fifty-year songwriting journey. From “Nebraska-esque” demos to soulful
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