Bill Callahan has a voice like no other man on earth; it’s haunting, intimate, spontaneous and passionate. The first thing heard on Apocalypse is
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I don’t know about you, but I love a nice poetic story about the creation of an equally poetic band. Something that makes the
The Wind’s excellent double-album, Harum-Scarum, is one of my favorite releases from the past year. You can check out the review here. GroopEase is
Why There Are Mountains was one of the highlights of 2009 for me. It seamlessly melded Elliot Smith-esque melodies and aesthetic with a more
A rising hip-hop artist like J. Nolan has a notable amount of temptations in the studio alone. There are countless numbers of production gimmicks
“Tiny Fingers” is lush and exotic, with sounds of broken sitars, brass, and wind chimes backing a gentle acoustic strum. Like everything on Red
Zach Condon makes music that sounds bigger than it truly is. This fact is made apparent throughout The Rip Tide, Beirut’s first new LP
There are legions of folk artists influenced by the genre’s early roots, from Appalachian groundwork to intersections of bluegrass and jug bands. Some are
The NYC duo Chappo received some recognition last year with “Come Home”, a summertime psych-rock jam with a shimmering quality reminiscent of alt-rock groups
Jay brings us another summer compilation, this time featuring new material from the likes of Woods, The Stepkids, Girls, and The Belle Brigade. As
