The Chicago-based duo of Joe Cristo and Rob Volpendesta comprise The Coquettes, a jangly pop group whose hooks and delivery are polished enough to make the self-recorded title irrelevant. On excellent track
New Tracks
Isaac is a rising synth-pop artist with a crisp-clean sound. His new single, “The Unknowns Blues”, appears to be his first major release. Already receiving positive feedback on SoundCloud, “The Unknowns Blues”
16 Knapper’s track “Zero Gravity” is nicely exemplary of the skills presented by the Norwegian instrumental hip-hop/electronic artist and producer, who has dug into music after several years living “the graffiti and
I consider this to be one of the highest-quality compilations released on OS, despite it being less stylistically eclectic than usual. For whatever reason this month, rock dominated. The first eight tracks here
Aubergine MACHINE impressed earlier this month with “Hostage“, an infectious track that found the electro duo paying homage to their ’90s trip-hop/neo-soul influences. Now the duo of Ian Carey and Shanti Ellis
Melbourne rockers Covers impressed last year with the track “The Automation“, which touted an infectious mixture of fuzzy synths, punchy guitars, and whirring keys. A proper comparison then was as if Blonde Redhead’s laid-back
Toronto-based Stevie Bucks is a 21-year-old hip-hop artist with a promising sound that touts an old-school flair, as evidenced on the personal “A Little Bit of Peace”. Opting for a sincere delivery over
“Playground Dreams” is a very infectious track from Paper Days, an indie-rock group out of sunny California with touches of garage-rock and post-punk. The latter two stylistic influences are particularly present in the
New Albums
Led by New York-based composer Dash Lunde, VPC Ensemble presents Life Is a Strange Loop: Side A, a recursive meditation on consciousness.
MoreBudapest-based artist Bárdits Éva‘s solo debut, Inertia, delivers a striking fusion of avant-garde soundscapes and raw confessional songwriting. Recorded entirely at home,
MoreVictoria, Australia-based producer Cale Anderson‘s full-length Yemaya (We all Come from The Goddess) blends folktronica, art-pop, and dynamic percussion into a devotional
MoreMode7, the debut conceptual album from French songwriter Julien Daval’s project FloreJack, charts a narrative arc through both intimate acoustic storytelling and
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