Before 2009, I was more or less indifferent to Black Lips, a band that basically sounded like a few other bands I already liked
Before 2009, I was more or less indifferent to Black Lips, a band that basically sounded like a few other bands I already liked
Skeletons’ new album, People, continues their rich mash-up of freak-folk and prog-rock, all while remaining separate from other contemporaries like Timber Timbre, Man Man,
Few artists can top the sheer moodiness of ’80s groups that teetered on the edge of post-punk and newly concocted electronic-pop. New Order and
About Group’s Start & Complete has flown somewhat under the radar. It is somewhat surprising considering both its quality and the fact it features
The good folks over at GroopEase just love being generous. In addition to offering significant discounts on up-and-coming artists, they are now giving away
Tyler, The Creator's second full-length, Golbin, is so polarizing that two reviews of slightly contrasting opinions seemed appropriate. Mike and Jay look at the
Westerners tend to group Tamikrest into the “desert rock” movement, a vague and cinematically inclined term for music that would sound appropriate set under
There has been a disturbing trend with a number of bands I like. In the past few years, many of them have softened their
April was a busy and thoroughly enjoyable month in music. It’s easy to point out that big names dominated most of it, some of
The Antlers’ previous release, Hospice, was so emotionally stirring that listeners felt personally close to frontman Peter Silberman, like he was a longtime friend