Reviews of these new tracks: Son Lux's "Rising", Shabazz Palaces' "Are You… Can You… Were You? (Felt)", and John Maus' "Believer".
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The role of a producer is often undesirable to many young musicians. The arrogance and pretentiousness among many in this niche leads them to
If you asked me about a year ago if I’d want to review the sophomore effort from the Portland-based Fleet Foxes, I’d have told
Like many Elephant 6 acts, the solo project of Olivia Tremor Control keyboardist Peter Erchick has a mysterious enigma that is propelled by not
THIS CONTEST IS NOW CLOSED. I wrote in depth about the excellent start-up GroopEase last week, noting it as a great way to find
Cass McCombs’ fifth full-length, Wit’s End, is a natural progression. His early material showcased an infatuation for intricately produced psych-rock, never becoming indulgent enough
About nine years ago, it became extremely uncool to like Fleetwood Mac. This pop/rock/soul band created some of the most emotional, daring, bold music
HAL were featured on Obscure Sound over five years ago. They were under-exposed then, and remain so now. That HAL have not released anything
The opening moments of Nine Types of Light is telling of the rest of the album. Unlike previous TV on the Radio releases, there
Tomboy begins shrouded in uncertainty. Noah Lennox’s words – “know you can count on me” – sound suspiciously like “no, you can’t count on
