New Tracks

DG Adams – “Dangerous”

Vancouver-based singer/songwriter DG Adams is back with another consuming track in “Dangerous.” Previously impressing with the track “Queen of the Sky” last April, Adams shows suave guitars and timely lyrics on “Dangerous.”

A Killer’s Confession – “Last Chance”

Dark alt-rock track “Last Chance” emphasizes the powerful sound of A Killer’s Confession, a project led by frontman Waylon Reavis (formerly the vocalist for Mushroomhead). The track’s chorus, in full motion around

MSNGR – “Everything’s Okay”

“Everything’s Okay” is a gripping new track from MSNGR, a hip-hop artist from Bullhead City, Arizona. Mellow keys and steady percussion provide emphasis on the artist’s evident lyrical prowess, combining with a

Silver Liz – “Microwave S’mores”

The excellent “Microwave S’mores” comes via Silver Liz, the Chicago-based project of Carrie and Matt Wagner. The project first caught my ear in 2017 with the tracks “Him” and “Hazy Daisy.” “Microwave

’59 – “Room for Three”

Room for Three by '59 The eerily consuming “Room for Three” is the debut single from ’59, a project led by Bay Area writer and producer Ryan Ehresman. As the lyrics recount

Similar Kind – “Too Happy”

Too Happy by Similar Kind Vibrant guitars and playful, reflective keys assemble a quick start to “Too Happy,” a stellar new track from Connecticut-based band Similar Kind. The shimmering instruments evoke a

Starlight Girls – “Get Right”

“Get Right” is the latest track from Starlight Girls, a Brooklyn-based act with a penchant for uniquely captivating rockers. Such is evident on “Get Right,” which builds from buzzing guitars and vocal

Ngoni – “No One”

“No One” is a striking track from Ngoni. A moving, soulful aesthetic is led by brooding vocals, a string-laden undercurrent, and powerful brass movements. The theatrical brass and mounting percussion exude a

New Albums

Áron Porteleki – ‘Smearing’

Hungarian artist Áron Porteleki presents a deeply memorable sound across Smearing, a debut solo studio production that serves as a “sonic manifestation,”

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