Taking inspiration from the mystique-filled electronic soundscapes of Portishead, “In a city called Garden” is a new track from After, the duo of Graham Epstein and Justine Dorsey. Chilling strings and eventual
New Tracks
The new EP from Canadian band The Dwindles, Memories From The Pale delights with a catching rock sound, ranging from the peppy energy of “Hand Signals” to the late-night murky contemplation of
The debut single from Pat The Riffer, ‘Paranoia” struts an eclectic, infectious flair with its mixture of synth-driven buzzing and funky initial guitar licks. While the buzzing synths remain a reliable accompaniment,
“Cabin Fever” is a rousing rocker from the band Apache Rose, now based in the country of Georgia following their move from Russia. Releasing ahead of the band’s currently-untitled upcoming album, “Cabin
The new double-single from Hillsboro, Texas-based artist J’Moris, “Summa This” and “Summertime Love” further emphasizes the artist’s confident, hook-minded production — excelling on previous singles like “Jump New” and “Jelly.” Clanging keys
Dublin-based collective INGOODFRM cast a murky, jangly spell with their debut single “nosedive,” whose understated vocal presence and textural guitar-led dynamics make for a dreamy, shoegaze-inspired success. Per the band, the track
“Over” is a resonating new track from Casey Wells, an artist from Charleston, South Carolina. Impressing last year with efforts like “Side of Me” and “Moving On,” Wells shows a spacious, emotive
The vibrantly expressive “Snappy Dan” is a memorable track from London-based band Floating Circles. The project emerged from the jazz scene, and has integrated an eclectic array of styles into their exciting
New Albums
Mon Rayon’s lovely debut album Image Repertoire brings together an affection for classic pop songwriting and carefully arranged orchestration across the Swedish
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Wade Easy’s absorbing new album Honey Venom is a psych-rock success steeped in hypnotic guitars, meditative rhythms, and understated phrasing, drawing its
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Wichita, Kansas-based singer-songwriter and guitarist John Ross McEwen presents Late Bloomer as a deeply personal full-length shaped by intimate acoustic songwriting and
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Berlin-based WELTSCHMERZ pairs warm, melancholic hip-hop with organic instrumentation on Refugium, a four-track instrumental EP. The project’s reflective approach is informed by
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