Philadelphia-based band Depression, Mom entrance with their new song “Once In California,” taking inspiration from the Spector Sound. Pulsing guitars and click-clacking percussion exude an initial quaintness, with both bright and dark
New Tracks
“Different Times” is new track from San Francisco-based Adam Brookes, also the frontman for pop/rock band Dangermaker. Brookes’ solo output represents a further embrace of electronic production, in addition to fusing hip-hop
Jokyo‘s new track “Sweet Nostalgia” provides precisely that. The track’s continuous keys emit a ghostly, familiar glow — visions of Ocarina of Time. The artist, based in Redondo Beach, accompanies with a
The title track from Matt Saxton‘s upcoming album, “It’s Only Now That I Know” crafts a stirring sound led by trickling piano and twangy guitars. Acoustic guitars and piano complement an intimate
“Keedy’s” is a smooth new single from Los Angeles-based artist Michael Court. Quaint guitar jangles and understated vocals craft a lushly enticing beginning, swaying along with an amiable charm. Wordless backing vocal
Building from eerie intrigue into a haunting hook, “We Are Dust” is a rousing rocker from Oslo-based band Monalia. The band’s penchant for the dark and dreamy continues here; the initial foray
“Fallen” is another dream-pop gem from Dutch duo Maida Rose. Roos Meijer and Javièr den Leeuw again craft a serenely captivating sound throughout. The “did I ever,” vocal rise into the chorus
Strutting both lush dream-pop mystique and bursting effervescence at points, “You’ve Got Me” is a consuming new single from Swedish artist Slow Cruise. A wintry sparseness is evident at first with sporadic
New Albums
III impresses as a dynamic, stylistic unveiling of works from Canadian producer Boni, a founding member of the experimental electronic group Fried
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numbness is exhausting marks the tenth studio album from Houston-based artist Joho, blending boom-bap hip-hop with futuristic R&B. Co-produced by 4d3n, these
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The second full-length from NYC-based band Adios Ghost, Happy House consumes in its melding of electronica, funk, rock, and beyond, marking a
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Recently released album Blue Without You showcases twelve timeless folk tracks spanning Pete Scales‘ fifty-year songwriting journey. From “Nebraska-esque” demos to soulful
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