Captivating with hauntingly eerie processions, “Vertigo” develops from flickering guitars and trippy vocal effects into an industrial mish-mash of rock and electronic components. The deliciously unsettling track is a collaboration from St.
New Tracks
Out today from Portland (OR) band Koalra, “Sight Unseen” touts a nostalgic blend of jangling guitars, yearning vocals, and nocturnal synths — blending rock, pop, and post-punk with replay-inducing appeal. Just prior
“Must Be Lonely (Part I)” is an enthralling psych-rocker from Smooth Kiwi, a band from Bellingham, WA. The band’s first studio single, “Must Be Lonely (Part I)” is described by Smooth Kiwi
“Magnets” is a rousing rocker from Australian band The Cloud Surfers. The track continuously develops structurally throughout its five-minute duration, growing from an approachable bluesy rock sound into various vocal bursts and
A new track from South Florida-based Bianca Jazmine, “Let in to Let Go” builds from suave, breezy guitars into a cathartic chorus — “it’s time to let go, darling … let in
Hunger by Chris Ianuzzi Industrial electronic groover “Hunger” is a recent track from Chris Ianuzzi, impressing earlier this year with the track “Infinite Prize.” Aesthetically, I’m fondly reminded of The Fall, circa
“Lal Dhaga” showcases the merging of traditional Japanese folk elements with rock music, exemplary of the eclectic approach from Rock of Asia. The Japanese project is fronted by musician Nikki Matsumoto, who
Indiana-based southern rock band Crossroad Saints impress with their blend of rock, blues, and Americana throughout new album A Song of Your Own. Lead single “Cradle to the Grave” shows the stellar
New Albums
Washington, DC-based band Broke Royals explores a wide spectrum of sounds on their new album Campr, spanning enjoyable realms of rousingly anthemic
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Montreal-based project blind dogs of the sun craft a consuming sound on their new album This City Never Sleeps, succeeding in its
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Santa Cruz–based artist Brock Davis crafts an intimately personal array of captivating songwriting on Nothing Lasts Forever, a deeply lived-in album shaped
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Thomas O’Shea‘s new album Generation Z blends dynamic piano-pop atmospherics with candid lyricism, tackling artistic self-doubt, digital-age anxiety, and generational pressure. From
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