Aesthetically reminding fondly of The Divine Comedy and Momus, with a pulsing bedroom-pop charm and synthesized glow, “I Love My Phone” is a clever delight from Hard Working Boss. “Oh, does this
New Tracks
A highlight from Denni Ian‘s consuming new album The Sad Saint of South End, “Killer Whales” impresses with its serenely unfolding sound. Gently pulsing keys provide a lovely accompaniment to the stirring,
“Get On By” is an enjoyably twangy track from Doc Straw & the Scarecrows, a Virginian artist crafting a memorable southern-rock sound. Lyrics reaffirm a commitment to remaining strong in tough times,
Erich Mrak again impresses, this time with the track “No Ways.” The Toronto-based artist describes the track as “what happens when you’re a drink away from collapsing and spilling your feelings, when
Touting a nostalgic new-wave sound fondly reminiscent of The Psychedelic Furs, “Danse Macabre” is a stellar track from Invisible Ensemble. Originally from Glasgow, Scotland, the artist now operates from a home studio
“Paper Cups” is an environmentally conscious rocker from jjoey, the first single from the artist’s sophomore release, Oak. “Everyone is leaving trash on the ground,” the vocals repeat, with a hypnotic melodic
A beautifully murky re-imagining of Waves of Dread‘s track “Stars,” released earlier this year, the “(beach cut)” shows the band pursuing a dreamier feeling. “Initially, I wanted the song to have a
Developing from intimate acoustics into a vibrant string-laden pull, “Morningstar” is a tender and engrossing folk track from Sean James, the Brooklyn-based singer/songwriter who impressed with “Comete” last month. James’ vocals exude
New Albums
Alt-folk husband and wife duo Pegasuses consume on their new album Sea of Joy, showcasing the Southampton-based act as expanding their intimate,
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The new EP from singer-songwriter, producer, and multi-instrumentalist I Forget Myself, An Exception conveys a strong alternative rock identity with focus and
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field is a lushly inviting piano-led EP from Annstiina, an artist based in Järvenpää, Finland. Previously succeeding in the art pop realm,
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Detroit-based songwriter Daniel Rodak presents his self-titled album as a stripped-back, self-produced statement rooted in folk and folk-rock tradition, recorded just outside
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