Waiting to Die by Chris Kunkel The closing track off Chris Kunkel‘s new album Waiting to Die, “Mistaken for Entirely Dead” shows a brooding folk sound led by murky guitars and forlorn
New Tracks
Shamanic Love by Astralseid Shamanic Love is an atmospheric, trance-inducing release from from Nordic electronic duo Astralseid, conjuring heady and spiritual vibes. The duo show commendable tonal variation throughout, ranging from patient,
Careful Now My Son by Anders/O'Bitz A recent track from collaborative duo Eric Anders and Mark O’Bitz, “Careful Now My Son” is a rousing effort with folk and Americana intentions. Lyrically touching
Ardent, pulsing rocker “Lazar Wolf” is a recent track from Countless Thousands, an act based in Glendale, California. The anthemic rocker, per the band, is “a Thousands style love letter to one
Based out of Wellington, New Zealand, rock quartet Pale Lady show well on new track “Lost and Found.” An anthemic rock introduction subsides momentarily as vocals enter, paired with more fragmented guitars
A haunting track from The Wash‘s debut self-titled album, “Cat” impresses with its atmospheric vein of understated rock. Ghostly guitar trickles bear a fond likeness to Radiohead. Delicately emotive vocals join seamlessly,
Bursting with hooky ’90s rock nostalgia, “Loser” is an anthemic success from DUDE, MY DUDE, the duo of Benjamin Lyth and Matthieu Thienpont. Their debut single firmly succeeds with a contagious throwback
A fun rocker from Philly band Beach Fuzz, “The Difference Between” is their first foray into a psychedelic sound — embracing “more synths and spacey FX” than previous releases. Bursting guitar tones
New Albums
Led by singer-songwriter Dave Macleod, London-based project trainboy succeeds with a heartfelt, jangly allure on new album I Am Not Myself. Following
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Kansas City-based project Angie Fights Crime unveils a memorable rock sound across their new full-length album, To Be Beautiful. Written and recorded
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Singer-songwriter, poet, and filmmaker Greg Roensch melds narrative depth and a stylistically eclectic palate on his new full-length, Down at the Polystereophonic
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New York-based Canadian artist Melissa Geurts creates what she calls “nervous system anthems,” set within a consuming dark synth-pop aesthetic. Her sophomore
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