“She’s A Chameleon” is a new track from Los Angeles-based artist Luke Frees, the first single from Frees’ upcoming album, Point Of You, out in November. There’s a natural, communal feeling throughout
New Tracks
“Within” is the latest dream-pop charmer from Maida Rose, already having an excellent year with previous tracks “Harmony of Heartache” and “Where Do We Go.” Based out of the Dutch seaside city
Captivating with hauntingly eerie processions, “Vertigo” develops from flickering guitars and trippy vocal effects into an industrial mish-mash of rock and electronic components. The deliciously unsettling track is a collaboration from St.
Out today from Portland (OR) band Koalra, “Sight Unseen” touts a nostalgic blend of jangling guitars, yearning vocals, and nocturnal synths — blending rock, pop, and post-punk with replay-inducing appeal. Just prior
“Must Be Lonely (Part I)” is an enthralling psych-rocker from Smooth Kiwi, a band from Bellingham, WA. The band’s first studio single, “Must Be Lonely (Part I)” is described by Smooth Kiwi
“Magnets” is a rousing rocker from Australian band The Cloud Surfers. The track continuously develops structurally throughout its five-minute duration, growing from an approachable bluesy rock sound into various vocal bursts and
A new track from South Florida-based Bianca Jazmine, “Let in to Let Go” builds from suave, breezy guitars into a cathartic chorus — “it’s time to let go, darling … let in
Hunger by Chris Ianuzzi Industrial electronic groover “Hunger” is a recent track from Chris Ianuzzi, impressing earlier this year with the track “Infinite Prize.” Aesthetically, I’m fondly reminded of The Fall, circa
New Albums
Led by New York-based composer Dash Lunde, VPC Ensemble presents Life Is a Strange Loop: Side A, a recursive meditation on consciousness.
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Budapest-based artist Bárdits Éva‘s solo debut, Inertia, delivers a striking fusion of avant-garde soundscapes and raw confessional songwriting. Recorded entirely at home,
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Victoria, Australia-based producer Cale Anderson‘s full-length Yemaya (We all Come from The Goddess) blends folktronica, art-pop, and dynamic percussion into a devotional
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Mode7, the debut conceptual album from French songwriter Julien Daval’s project FloreJack, charts a narrative arc through both intimate acoustic storytelling and
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