Avenoir – “Orpheus and Eurydice”

February 20, 2019

The passionate, emotive “Orpheus and Eurydice” is a just-released track from Avenoir, a four-piece based in West Yorkshire. The more understated vocal delivery in the verses is complemented by fuzzy guitars, which

flowstate – “tiger blood”

February 19, 2019

Downtempo hip-hop act flowstate show a successful new sound on track “tiger blood.” They blend their atmospheric hip-hop appeal with the infectious, drop-laden hooks of electronic music — resulting in a sound

The Landing – “Keep Lookin’ Up”

February 15, 2019

The catchy “Keep Lookin’ Up” melds a spacey feel with pulsing rhythms and synths, fondly reminiscent in aesthetic to Hot Chip’s most infectious efforts. The track comes from The Landing, an artist

Brendon Moon – “Girl”

February 15, 2019

Brendon Moon’s debut album, released earlier this month, is a beautifully dreamy showcase of lush vocals, glistening guitars, and melodic songwriting. Moon’s vocals are among the most strikingly unique you’ll hear, melodically

Plunki – “Caffeine”

February 15, 2019

Plunki crafts electro-pop from Miami, showing an infectiously creative spirit in an aesthetic aptly self-described as “like if Kate Bush and ABBA had a Cuban baby.” New track “Caffeine” captures an energetic

Skin Mag – “An Exercise in Hindsight”

February 15, 2019

Long Beach five-piece Skin Mag impressed last year with the track “Tonight Show,” touting hypnotic, layered guitar work and a psych-friendly vocal presence. That alluring aesthetic returns on new track “An Exercise

Daria Black – “Changing”

February 15, 2019

“Changing” is a track released today from Daria Black, whose track “Not That Girl” we premiered a couple weeks ago. “Changing” builds from the get-go, with a shaky guitar presence accompanied by

Good Days – “Green”

February 15, 2019

“Green” is the latest entry in Good Days’ ongoing singles collection ROYGBIV, where the ban digs in heavily into the psychology of each color, “finding subject matter and emotions that lived in