The project of Brandon Wayne Schilling, Walker Landing touts a nocturnal sound, featuring twinkling keys, icy synth arpeggios, and lush vocals. The project’s debut album, 1111, released this week, including standout track
New Tracks
Released this week, Texas Drew’s remix of CRÈME’s “Above Ground” is a noted success, retaining the original track’s strengths while adding a nocturnal edge to the hook and overall sound. The effort starts with a
Spark by Todd Warner Moore Todd Warner Moore plays a timeless-sounding form of folk music that’s reminiscent of greats like Van Morrison and Neil Young, while adding a fluttering modern element to
Spectre is an artist from Crawley, UK producing a murky vein of electronica, infusing aspects of ambient music and dubstep. As a drummer, vocalist, guitarist, and synth player, Spectre’s multi-instrumentalist approach combines
“Better” is a great example of Anne Steele’s electro-minded pop, unleashing a yearning infectiousness during the “I’m gonna love better,” hook. The NYC-based singer/songwriter just released her new EP of original music,
“Whiskey and Water” is a new track from Indianapolis-based singer/songwriter Bobbie Morrone, who touts a soulful sound with his vibrant vocals, organ usage, and gospel-like backing vocal additions. A twangy guitar lead
Nine Blind Men and the Tiger is the solo project of Johnny Saigusa, who has been actively releasing material since high school (when he wrote and released three full-length albums). One of
“Terraces & Discos” is a new single from Lucky Horses that touts a sound particularly appealing to Pet Shop Boys fans like myself. The London-based duo have the shimmering synth-pop aesthetic down
New Albums
III impresses as a dynamic, stylistic unveiling of works from Canadian producer Boni, a founding member of the experimental electronic group Fried
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numbness is exhausting marks the tenth studio album from Houston-based artist Joho, blending boom-bap hip-hop with futuristic R&B. Co-produced by 4d3n, these
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The second full-length from NYC-based band Adios Ghost, Happy House consumes in its melding of electronica, funk, rock, and beyond, marking a
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Recently released album Blue Without You showcases twelve timeless folk tracks spanning Pete Scales‘ fifty-year songwriting journey. From “Nebraska-esque” demos to soulful
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